Kruegmeister
Member
OK, so Friday night I fired up the 5150 III 50w before practice just to check my pedalboard I wired up.
Sounded good, but I kept thinking the D-Moll last week was better.
So I had the Full Band for practice and man is this D-Moll just amazing me.
Cleans sound so rich, at most I run a MXR Analog Delay for some songs, but it sounds great even without. We were adding These Days by Foo Fighters and it was so alive and Ringing.
Ch1 with mid-cut was perfect for that songs beginning.
Crunch CH2 was just as wonderful as last week without the drummer.
Perfect with Mid-Cut Off, alternate patch with Mid-Cut gets me that Marshally 80s Tone.
CH3 I had nailed down this week using Master2 for leads. It was just singing so well it made lead work soooo much easier.
The Mid-Cut and 2nd Master gives me so much more out of the 3 channels.
I personally use it more without the Mid-Cut, but it adds some tonal flexibility.
Tone seeking is over for me.
I am happy with my Clean, Ryhthm and Lead Tones.
Sounded good, but I kept thinking the D-Moll last week was better.
So I had the Full Band for practice and man is this D-Moll just amazing me.
Cleans sound so rich, at most I run a MXR Analog Delay for some songs, but it sounds great even without. We were adding These Days by Foo Fighters and it was so alive and Ringing.
Ch1 with mid-cut was perfect for that songs beginning.
Crunch CH2 was just as wonderful as last week without the drummer.
Perfect with Mid-Cut Off, alternate patch with Mid-Cut gets me that Marshally 80s Tone.
CH3 I had nailed down this week using Master2 for leads. It was just singing so well it made lead work soooo much easier.
The Mid-Cut and 2nd Master gives me so much more out of the 3 channels.
I personally use it more without the Mid-Cut, but it adds some tonal flexibility.
Tone seeking is over for me.
I am happy with my Clean, Ryhthm and Lead Tones.