V
VonBonfire
Well-known member
Yeah, smooth and easy on the fingers. The wrap is flat so the outside is smooth to the touch.Are they really flat? Or just the cores? Or are those the smooth ones?
Yeah, smooth and easy on the fingers. The wrap is flat so the outside is smooth to the touch.Are they really flat? Or just the cores? Or are those the smooth ones?
mmm smoothYeah, smooth and easy on the fingers. The wrap is flat so the outside is smooth to the touch.
Cheap solid state pawn shop combo.But if I get an amp I’ll have to get a cab too, and I’m trying to get rid of those
i'm a full on kemper goon now. the bass sounded pretty good through studio monitors so I'll probably just stick with that for a bit. Building a bass tube amp might be fun though, just for the sake of doing something newCheap solid state pawn shop combo.
Flatwounds will completely change the sound, have higher tension, and a bit more pain in the ass for slapping. I don't personally
care for them on fretted instruments. If I want to tame the brightness I go with nylon wound. YMMV.
cough LaBellas coughmmm smooth
dang bass strings are expensive
cough Mesa subway amp coughi'm a full on kemper goon now. the bass sounded pretty good through studio monitors so I'll probably just stick with that for a bit. Building a bass tube amp might be fun though, just for the sake of doing something new
It's funny, because that's where I do like themNever liked flatwounds, especially on fretless, flatwounds sound dull and lifeless IMO.
Flats rule for anything but chug. Flats on a P-Bass is the most legend bass arrangement ever.No flats dude. Just don’t.
I like to be able to get the metallic "spark" on fretted basses ( DD Verni is a good example of the sound) from roundwounds.It's funny, because that's where I do like them
Definitely agree, mostly dull, but have their uses.
maybe if you're a Buddy Holly and the Crickets tribute band.Flats rule for anything but chug. Flats on a P-Bass is the most legend bass arrangement ever.
That’s complete bullshit. Unless by chug you mean everything besides MoTown, jazz or classic rock.Flats rule for anything but chug. Flats on a P-Bass is the most legend bass arrangement ever.
I’m could never sit in a mix in a way I was happy with using flats. Not in my hard rock/alt 3 piece. I have a p with flats I used in Hookman.I like to be able to get the metallic "spark" on fretted basses ( DD Verni is a good example of the sound) from roundwounds.
Fretless is more mellow, so the roundwounds give it more mid "snap"
It's the best bass string for both kinds of music, rhythm and blues.That’s complete bullshit. Unless by chug you mean everything besides MoTown, jazz or classic rock.
If you can't get a P-Bass with flats to sit in the mix there is something wrong with the rest of your rig.I’m could never sit in a mix in a way I was happy with using flats. Not in my hard rock/alt 3 piece. I have a p with flats I used in Hookman.
Post a clip so we can hear!If you can't get a P-Bass with flats to sit in the mix there is something wrong with the rest of your rig.
You clearly aren’t a bass player.If you can't get a P-Bass with flats to sit in the mix there is something wrong with the rest of your rig.