It came with a Creamback H75/M65 cab, and its own high visibility jacket.
Better pictures from KSR:
This the Gemini Custom.
All the things that are in the normal Gemini Lead Channel are in this: the 4 modes going from 3 gain stages to 5 gain stages, the Fat modes, and the voicing changes.
So what's custom about this...
It's a Dual Lead Channel Gemini. There's no clean channel, but there is a crunch mode that can act like a clean with lower output pickups.
Each channel has it's own EQ and Gain 1 & Gain 2 knobs giving more control over the different modes than say if you added a separate EQ to the standard Gemini.
The NFB knob (negative feedback control). This control basically allows you to take a modern, smooth amp and turn back time to when high gain was less controlled. It still sounds like the same amp, but the highs are more aggressive and the low end has more thump. It breathes life into the sound and response of the amp.
The Bright switch. This adds two additional levels of "bright". So essentially you have off, high mids, highs, highs and high mids. Like the original 2 way bright switch it adds a little gain and tightness to the amp acting like a subtle boost.
This is the tightest KSR I've ever played. The new bright modes remove the need for a boost. KSR never need a boost like a Dual Rec, but they could usually use one. I always ran mine with a slight boost out front. This one is different.
It'll also probably never get hit while riding its bike at night.
Better pictures from KSR:
This the Gemini Custom.
All the things that are in the normal Gemini Lead Channel are in this: the 4 modes going from 3 gain stages to 5 gain stages, the Fat modes, and the voicing changes.
So what's custom about this...
It's a Dual Lead Channel Gemini. There's no clean channel, but there is a crunch mode that can act like a clean with lower output pickups.
Each channel has it's own EQ and Gain 1 & Gain 2 knobs giving more control over the different modes than say if you added a separate EQ to the standard Gemini.
The NFB knob (negative feedback control). This control basically allows you to take a modern, smooth amp and turn back time to when high gain was less controlled. It still sounds like the same amp, but the highs are more aggressive and the low end has more thump. It breathes life into the sound and response of the amp.
The Bright switch. This adds two additional levels of "bright". So essentially you have off, high mids, highs, highs and high mids. Like the original 2 way bright switch it adds a little gain and tightness to the amp acting like a subtle boost.
This is the tightest KSR I've ever played. The new bright modes remove the need for a boost. KSR never need a boost like a Dual Rec, but they could usually use one. I always ran mine with a slight boost out front. This one is different.
It'll also probably never get hit while riding its bike at night.
