Okay.
I mean, I worked for Ed for a bit but okay.
The Boss EQ pushing could give whatever amount of gain you wanted. And turned down via the variac it gets squishy.
I love Ossie. I just disagree.
Chokes make a difference in feel.
Holy grail hunting has romanced men since the dawn of time.
All that said, a stock ‘68 will get you there. One with the out-of-spec mids pot will really get you there. One with a variac-styled voltage lowering capability and a decent PPIMV will do it without...
Conner is a very good dude. I have some stuff he cut and it is excellent. He responds to DMs on the Locke insta. The neck on the 5150 replica is Locke and is just perfect.
This made me laugh!
I would have loved to play my HRF at my old Metro Band gigs. We got anywhere from 3-7k people at those. But I was playing a Musicman EVH through a VHT Pitbull back then.
I have played only a couple of times at my church, a very conservative old-school Presbyterian church where’d I’d only play my Martin.
In my younger days I played at church and was part of the Metro Band that released a couple of records.
I’ve been messing around with the Tone Master Pro lately simply because I know that I’m going to get asked to sit in at some point and it’s going to be a basically silent stage environment. I got the excellent Fender 12 inch full range thing, and that’s very cool. But I just can’t get these...