Since it takes me like 100 takes to get a decent solo recorded, mic'ing up a blasting cab is a bit of a hassle. I use TNL and love the results. I have a Kemper too but tend to use that live
HA I have his acoustic guitar here at the house. It actually sounds huge for such a tiny instrument.
Good songwriter, connects with a lot of people. Haters gonna hate
Yes, that is the best vocals I have heard from them. Non stop growls get old quick for me so I like balance against the cleans- which I don;t think I ever heard from them? Her regular voice is great
Kind of sucks as a Loomis fan though, he was such riff master and solo king in Nevermore, now he...
standard E?
Go with the Ride the Lightning approach on eq: hi pass around 100, narrow Q aggressive boost at 160. POW! This works great at the source if you have a para EQ to put in the amp loop, but you could definitely do this at mixing.
for mids, a slight cut at 400 (Diezel), 500 (most...
Where is your ch volume at? I get that the original 5150 did not have a master, but those amps were great at regular loud volumes. This Inv 120 sounds putrid until the ch volume is above 3 oclock/ near max, making it damn near impossible to max the master volume without an attenuator.
But I do...
oh and I LOVED my Revv gen II. It is mix-ready in studio or on stage, high gain sounds so killer! The cleans and low mid crunch were not as inspiring for me, but fine enough.
I even liked the Revv in those online blind shootouts so I guess it is a tone I like
I just tried this and it is terrible, so bad I assume it is typo? I'm finding the key is not the Master but the ch volume- they need to be near max and then the amp is wholesome and roars, even at lower master volumes. max Master volume is yielding a thin and buzzy high end over here
I'm just yanking your chain. I like a lot of Fricker's vids, you just need to be in the right mood for his screaming. I get that people blast him though