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I had an X for a few months, it was fine for low volume screwing around, but ultimately didn't keep me enthused.

Yeah I bet it would kill with my Morris. Plenty of gain and girth that make it nice to have a pickup with some twang.

That sounds about right. That being said, amps can pump out so much thickness and gain these days that I don't think it would really be a problem.

Naw, its not that hard. Gimme a Duncan Custom, Custom 5, JB, 59, '78, Distortion. It's all good. One day I'd like to play a Screamin' Demon.

Overkill - Horrorscope

Dinky Strat Les Paul

Wah in the effects loop? Yuck. In general, no. Maybe I’m lucky, but I’ve been able to get great sounds out of a lot of different guitars, amps, cabs, over the years.

A lot of the "Charvel magic" is just hype. I say that, and the only guitar I own that isn't a parts mutt is a Charvel. Good feeling necks, the rest is available elsewhere.

I just shipped a guitar (which is currently hanging in some sort of limbo) to New Caledonia, just off the north east coast of Aus.

I'm assuming its just scraped. Which is very cool, I've seen a handful of guys do that and it comes out nice.

I’ve never weighed any of my guitars.

As a Canadian, I always request where possible things be shipped via USPS from the US for minimal taxes/duties when the item gets to me. UPS can eat shit with all their extra fees.

Sweet! Jackson Firebirds are always very cool.

It is funny to me when people accuse Gibson of being priced crazy. You can get LP Standards for $2500 new, +/- a little depending on finishes, SG Standards are under 2K. American labour, etc. OR I can get some Indonesian or Korean built guitar for 2K. Frankly, at that price, the Korean and...

I just play guitar. If I'm sitting just fucking around, it probably is more in the realm of "lead", but if I'm jamming along with songs or playing with a band, you have to do the whole thing, not just noodle over the top.

Yep, I can be at his door in about 2 hours.

Absolutely! I was in Glen’s shop back in March and played my Sirrom, the 67, 68 and the 68 Brownout. I don’t know that there is a “wrong answer”. I basically picked the 68 because it had all the same shit as the 67, plus the texture switch and “brown” switch. I figured if I got the 67 I’d...

Sweet! I should be picking up my UK68 in about 6 weeks.

It is kind of weird when people set up their gear to have to fight it. I don’t need the gain on 10, but it’s so nice to be on stage and the sound is just fluid.

I’m not familiar enough with his work, but the stuff I’ve heard is definitely cool. The Frank Marino cult comparison thing is funny. That cult is totally justified. Even if he had just recorded the Juggernaut album, that would have locked him in forever.