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I know, I know...behringer...wtf...HOWEVER, I have found over the past week or so without my ns-2 that the ns-2 is an integral part of getting MY sound with my 6505. It adds some brightness to it that I cant get out of just the amp. I was under the impression that the behringer pedal is an ns-2...

So, the jsx is working out great through my buzzbomb, not so great through my converted 6505 212 cab (which is not a great cab haha). Ive got eminence legend M12s in the EC, and V12s in the 6505 cab. Im wondering what you guys use with this amp. Im considering looking for another buzzbomb, but I...

THanks a TON to Bronco for hooking me up with this JSX in absolute perfect condition!!! Ill try to make some clips tomorrow night. I gotta try it through my buzzbomb as well. Ive decided I need to get a different cab for it too. I also have some 6l6 tubes coming in to try in it. Very stoked...

I had one for a short period of time about a year ago, but as time has passed, I now know that the FX loop in my 6505 is screwed up. This, I assume, will not be the case with the JSX. So, I am buying a decimator, but Im not sure if I should just go standard or g-string. If I run the g-string...

What would you guys consider absolutely, cannot do without, bare bones, guitar pedals for a gigging guitarist? Ive typically been a 1 pedal kind of guy, and that 1 pedal has always been a noise gate. Above that, what you would consider necessary? OD? Reverb? Delay? Tuner?

Any one try both tube types in the JSX? Which did you like better? What were the differences in tone between the 2?

I called GC in chicago last night to try to buy a used peavey ultra plus for 400 bucks, and they said they cant ship tube amps....well, how the fuck do they get to you from the manufacturer in the first place??? This is the most retarded shit I have heard... So, just in case you guys wanted to...

So, kinda outta nowhere Ive been gassing for a blackmore the past week or so. Ive wanted to try out a savage for a long time, but Ive never had the chance. Since the blackmore is based off the savage, I got to thinking and checking out videos...so...fuel the fire dudes!! Tell me about how...

Tried a couple clips out with the condenser mic blended with the 57. I need to spend time and figure out placement. So far, I am liking the 57 and kick drum mic combo better. I need to try this mic with vocals and with an acoustic too. Anyway, I did 2 clips. This one is just my buzzbomb...

I did some more clips...This time, I actually got the mics placed well, and I think taking the time to do that payed off. I tried to pause when I switched pup positions in each clip...you can pretty much hear the changes anyway. I started each clip with the bridge, then went middle, then went...

http://www.netmusicians.org/index.php?s ... value=6514 Did this quickie of the hellbabies. I have them wired so that in the middle position, you are playing both humbuckers in split coil mode. So I got through the 3 positions, starting with distortion...bridge, middle, neck, then clean...neck...

Did these a bit ago. I didnt have a click track...so ignore the beginning before the drums start cuz the timing is not very good. I dont know how to do the click tracks in reaper...anyway, here ya go. tsex30 double tracked with the contour engaged on one track...

did this tone test of the tsex30 ampsim with the hellbabies... http://www.netmusicians.org/index.php?s ... value=6505 plus I was getting spanish radio and morse code or something...wtf is this? Any idea how to fix it or whats going on? http://www.netmusicians.org/index.php?s ... value=6506...

Did these clips so you guys can get an idea of comparison on the bridge pups. Didnt have time to get to the neck, but Ill do some of that this weekend... Hellbaby in standard tuning: http://www.netmusicians.org/files/7-hbstandard.mp3 Hellbaby in drop C...

Officially my favorite pickups so far. Any one from HC knows how much I love my painkillers, well, I love these suckers even more. More clarity than my painkillers, better note definition. Adds a little dryness to the tone. Still retain the heaviness that I need. The perfect amount of...

I can get the triumph 60 for 220 plus shipping, and the ultra 60 for 300 plus shipping...which would you do? Im looking for something that can do metal without a boost that I can leave at the practice space and take out for gigs. Im leaning toward the triumph right now, because of the price...

any one have any experience with them? Can they do metal without a boost? What are they worth?

...For a cab, like the ones randall uses on their newer cabs? Im converting my 6505 212 into a 212 cab and I want one of these for plugging directly into boards in the studio for practice, and at shows...Thanks.