When I was a teenager, I played in front of my Dad once and all he said was “that’s just weird” haha. I actually took it as a compliment at the time since he only liked Country music.
In a riff wars on here I got a comment that my tone sounded like Ball’s To The Wall, still brings a tear to my...
I use a rack I got off Amazon that is sturdy and works pretty well, but I’ll still stack one head on another, but I don’t go over that. Just a mental thing where I’m worried it might fall with a little accidental bump.
Mr obvious here but try a few options and see what you like best.
I’ve tried a bunch and for years I’ve settled on this. These are always on and never touch them. 2 EQ’s, one first before OD pedals in a frown (boosting mids) and one post (in the loop or after a reactive load) in a smile boosting...
Currently I use the Spliff from Fortin because it has more outputs, 1 for pedals, 1 for the tuner and 1 iso direct into my AxeFx for when I went to record a raw DI track
https://fortinamps.com/products/fortin-spliff
But for a long time I used a simple splitter from JHS (they’ve gone up, used to...
I use a buffer/splitter so output 1 goes into pedals (or your AxeFx) and output 2 goes to the tuner so it’s always on. Bonus, the output of the tuner can key my noise gate.
The gear talks, humor and respect that people argue and really go hard at each other in one thread while in total agreement in another. It’s the way it should be.
This site can be an asshole, but it’s our asshole.
I agree no markers look cool, love the look. But I can’t play them. My mind drifts sometimes when playing and I lose my spot without fret markers. Side markets don’t help me at all, never notice them at all, I’m just weird I guess.
Scale length by far. Body shape/comfort is more important to me than radius. A super strat with 24.75” scale length is perfect.
I do prefer flatter radius but it’s not a big deal to me.