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Maybe the loop was designed for the JFX-1? I also enjoy my ADA MP-1, like a hot rodded marshall in a 1U. "The JMP-1 has an interesting effects loop in that it is parallel at lower settings and series at higher settings. For the loop to work well at lower settings you have to remove all the dry...

I've been rebuilding my home rack rig and pulled out an old Lexicon unit to use elsewhere. This left me a 1U rack space for an effects unit so I grabbed a cheap TC Electronics G Major 1 that popped up. I had a poor experience with the G Major 2, which needed a new ribbon cable for the screen...

Yup! Letting out repressed homoerotic feelings on a guitar forum... classic. :ROFLMAO: He talked about cock, balls and butt stuff more than all of the gays I know in real.

I think his premise was: Dressing weird, shredding guitar, pissing off the oldies in the 1980s = GOOD Dressing weird, shredding guitar, pissing off the oldies in the 2020s = BAD

I remember seeing Kyrpajyra get banned in real time. Tim Henson got mentioned and he got so triggered, he started posting gaping mens assholes for some reason. Sounds like a joke when I read that back. :ROFLMAO:

Much appreciated dudes... I know not everyone is into the whole genre blending thing so it means alot you guys dig!

Hope ya'll don't mind me posting this here! A departure from my usual rack rig stuff! The guitar rig was: Main Rythm Tone - AxeFX 2 5150+ block Main Clean Tone - Gallien Kreuger 250ML into AxeFX 2 for Delays/Pitch Main Solo Tone - JMP-1 Preamp, Lexicon PCM, Palmer Macht402, Celestion V30...

It's the only forum where I've been called names and homophobic slurs when discussing tone. So it's got that going for it!

Maybe the age of shredding the same pentatonic blues scales with a wah is over? :p

My old set up was a JMP-1 EL84 20/20 big heavy valve rack. Had a G-Major 2 in there too with MIDI patch changing using a MIDI pedal. Would mic up a 2x12 on stage in stereo. Then I moved to Fractal with a smaller MIDI pedal and just hand the direct feeds to the sound guy. Then I've got a Palmer...

Fates Warnings especially the early stuff

I guess quad tracking bendy chords would create that pleasing washy chorus effect. Bob rock split the MK3 signal to other cabinets with really low gain and using a DLL for modulation. Essentially double Stereo tracks. Exactly how I do it!

Kemper if you just want great tones to play Fractal if you like endless tweaking and effects

I remember reading the Whitesnake Biog and hearing it was a Mesa Mark Coliseum II maxed out with all sorts of phase shifting, pitch shifting, chorusy stuff going on to thicken things up. It was into Marshall 4x12s. Obviously the Gibson Dirty Fingers pickups had a large part to play.

Nothing more rock n roll than a corporate reshuffling

I just wanted to lay it out in a constructive way. It's a forum to discuss this exact thing. The real time/energy is invested by those blindly shilling a corporation or telling people how to feel.

No hate, this is expressing an opinion with examples

Things are constantly changing... but this is current:

Ironically the best Gibson I ever played was a Tokai haha! I totally get what you mean though.

I'm not a fan of Gibson, and this opinion has resulted in some serious hate and personal attacks, which I find pretty funny. If I had a penny for every time I was told "Look who uses Gibson" and "The best records where recorded with them," I'd be able to buy a Gibson! Shilling for a failing...