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If you want to use it to feed the PA, you'd be better to get something with an XLR out. The Two Notes Cab M+ (or Opus) is great and takes a speaker level input, so you can feed it from your amp's speaker out, and use it with whatever amp you're using in the future.

Bash- late to the game seeing this thread. Congrats! Love to try it out sometime.

Shure. The older GLXD 6 is amazing too. Gigged it for many years with zero issues.

Volume pedal in the loop.

I can only speak to the Head Master, but it’s a great unit if you want to A/B your amps. Switches quickly.

Steve Morse is a master of this technique and also attributes it to Lenny Breau. He does some amazing stuff with it.

Amp1 Mercury for me. I take one as a backup to gigs (travels in the "Tick" attached to my Mono gigbag) and for the odd rehearsal. 4 channels but I only find 2 of them useful ("vintage" and "classic" are great Marshalls ... the "clean" and the "modern", not so much). Sounds great, it's small...

My old Guytron GT100. Comes to every gig.

Man, my heart goes out to everyone affected by this. Horrific. Hope the OP is ok.

That looks pretty legit to me. Lots of them don't have the COA so I wouldn't sweat that. You can check the S/N here: https://www.music-man.com/serial-number-database

Big fan of the LIII. Haven't played the Sterling version yet. Congrats.

Sounds great!

Well that's great to hear- thanks :) The amplification issue is mostly what's holding me back. I have my current setup dialed in perfectly and the idea of starting over is daunting. Though I get the sense it'll be worth it in the long run. 95% of the time we're doing our own sound for smaller...

I've been on the fence with this for a while. I love gigging with an amp + cab (I LOVE my main amp), but it would be so much simpler with an FM9. Might have to bite the bullet and play with one for a while.

I've had both, still have the Mercury. They kind of meet in the middle sonically, but I find the Mercury the more versatile of the two boxes. (That said, it depends on your style a bit.) If you get the "Midi1" adapter then you can use MIDI to change a bunch of other parameters that are handy.

I always have a volume pedal in the loop. Most useful pedal on my board :)

In

The clips sold me- I'm on the waiting list for a Mk II.

I've always gone with the molded ones with Etymotic filters. -15 dB for gigs usually.

I went to a Morningstar switcher to avoid tap dancing and then replaced any non-MIDI pedals with a HX Stomp. Made life so much easier for gigs. Zero regrets.