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The speaker outputs are in parallel, so you're fine using the second speaker output rather than putting it in-line. It's effectively the same thing. (I do the same thing with an IR loader I use at gigs.)

Just asked a few friends with no luck. I’m in TO but I don’t know anyone who has one.

I’m kind of Jonesing for a Kaisen, too

I’d be interested to hear that comparison. I have a Metroplex Mk II on order as well.

This is one of those amps I've had a few times ... and wish I'd held on to. The OD channel is fantastic. I do wish the clean channel on the Duel had evolved to be a little more useful- I found it too bland to use for anything. Imo, being able to switch the Hi/Lo inputs would have been more...

Isn't this site hosted in Germany?

Hah- I was just watching a recent vid of them in the studio. There's my Guytron, sitting behind Simon :) Buddy of mine is their tech, so I leant it to them for the sessions. I had a chance to spend some time with them during rehearsals which was pretty cool.

Rosanna. Edit- here's the link.

It's a modeler. It is pretty sweet. I ditched most of my pedals a while back and have been using the HX Stomp for effects in front of the amp, plus a MIDI controller for everything. Does just about everything fairly well. I almost always play through an amp, but I do have some patches setup...

Steve rests (or used to) his pinky on the pickguard to anchor his picking hand. The original prototype didn’t have a guard and he found he missed the extra height, so they added a clear one.

My fave so far is the York Audio Kerry Wright 4x12 greenback cab: https://www.yorkaudio.co/product-page/kw-412-m25-sh

Just do it :) Glen is a good dude. Here's a shot of him with my Perplex'd, when I picked it up from his shop last year.

I always bring a handful of spare tubes to a gig, but there's not much chance of being able to diagnose any issues until I was between sets. I think you'd have to know your amp well enough to get a sense of what's wrong. If I had to narrow it down quickly (on a dark stage), I'd check to see if...

I have a 1x12 I use primarily for rehearsing. It really is great. Sounds big and the dispersion is excellent. (Though, I gig with a regular 2x12 with a plexi dispersion shield in front of it and it's also excellent, so there are other ways to solve that problem.)

I’ve got a Mercury as well. Sounds great and has a well thought out feature set.

+1 for the Chopper. I tried a few different rails (in the Dimarzio ecosystem) to match up with vintage Strat pickups and that's where I ended up.

I guess I'm in the minority. I've always preferred EB Slinkys. I also like the Paradigms (they do last considerably longer).

Simon is a monster for sure. I was lucky enough to spend time watching him play up close- killer player.

I'm a big fan of the Transition set. Well balanced and sounds good doing anything.

Totally in.