Being that I’m only using it for tracking pre-production it’s no different than if I was using an actual SLO, since I would only be hearing monitors because the cab would be isolated.
If anything, I just get ear fatigue from hours of starting/stopping loud, full mixes.
If I’m just jamming on...
It’s a logo made up of different alchemy symbols.
Tube heads are great, but they all have their time and place these days.
For writing/tracking hours on end, being able to toggle between multiple tones/settings with zero issues - it’s hard to beat the neural plug ins. It’s easier to track...