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I didn't miss you. I still stalk you on YouTube.

Huh?

Nah. I would have de-escalated the situation like the Nun from the movie Airplane. I have dreadlocks.

Oh, come on. You didn't like that gas station where we traded pedals? It was almost exactly half way between us.

Shielding the cavity of an instrument is a labor of love. If I don't love you or your instrument, it's gonna cost you a lot of money to get me to do it.

Now I'm really excited for mine to come. I got a few other pedals on the way with it. I got a pedalboard setup for the bass stuff, and I really want to try out the new Omega Drive.

I ended up replacing my Streamlight Microstream with another Streamlight Microstream. I tried the Macrostream, but it was bigger, brighter, and the battery didn't last as long. It ended up dying on me during a recording session, and I had to use my phone. Holy shit using the phone sucks...

I've only found good deals on used Behringer PA gear lately. I just got a digital snake for $250. I was looking for one for a while, and I just sold my pedalboard for $200 that day. An S16 for $250 is a pretty good deal, and it helps my setup alot, aside from just doubling my inputs.

Nice!

Most of the major components I bought used, so I would get my cost back out of it. The stuff I bought new, like the rack case and the breakout panel parts, don't really lose value. If anything, they are worth more assembled than by splitting things up. I'm sure I'll get lowball offers, but...

Peaveys are all fixed bias.

I built an IEM rig for my band to use, but they decided they don't want to use it. Basically, the half of the band that wants to use it doesn't feel it's worth dragging to shows for just the two of us. I still use my Rolls PM50S to run my vocals and just use ambient ear buds, and the rest is...

Sweet.

No. That's as weird as wearing the band's shirt to their show. I like asking those people which band on the bill they came to see when I spot them. They are usually the ones you hear listening to the band as they pull up to the venue. It's weird.

Doesn't that mean Line6 made it?

I did. I used the SVT as a pedal platform set up big clean, and then hit it with a pedal. The Darkglass B7K Ultra I used let me boost the fuck out of the mids to compensate. That's what makes the Mesa Mark Series so great is the ability to boost the mids to saturate them, and then tame them...

Is the mid boost/cut switch for both channels or just the gain channel? Seems like I would want it cut for clean for the scooped pop-slap tone and boosted for a fat rock tone with the gain channel.

I'm in Ohio, where the real Rock & Roll Hall of Fame is located. Granted, you're more likely to see Tina Turner's thong and spandex on display than anything from Slayer, but at least they have Eddie Van Halen's guitar there. You guys like that, right?

All this fart talk makes me want to buy a fuzz pedal and chase the tone of my chosen genre. Maybe with an Orange stack and a Les Paul. I'm doing doom/sludge all wrong.

Some stairs I fart every step down.