This made me laugh!
I would have loved to play my HRF at my old Metro Band gigs. We got anywhere from 3-7k people at those. But I was playing a Musicman EVH through a VHT Pitbull back then.
I have played only a couple of times at my church, a very conservative old-school Presbyterian church where’d I’d only play my Martin.
In my younger days I played at church and was part of the Metro Band that released a couple of records.
I’ve been messing around with the Tone Master Pro lately simply because I know that I’m going to get asked to sit in at some point and it’s going to be a basically silent stage environment. I got the excellent Fender 12 inch full range thing, and that’s very cool. But I just can’t get these...
I don’t think there is whammy work. There is in the live version, certainly.
When I worked with the band, I was struck by how important Clapton was to Ed. Not simply an influence but at times a seeming obsession, even after Clapton slogged him and May.
The STIL solo, being an obvious blues...
Sounds like it to me. No bar, and some quack from being in position 2 on the selector.
Similar sound to the solo on "When It's Love" solo cut 6 years later.
Thoughts?
I demo’d Ed’s new (at that time) Peavey guitar for guitars shows, then was asked to help with their first website. I wrote the equipment section and did interviews. However, this (it was thought by Ed) section took attention off the new stuff Ed was doing and was eventually cancelled.
It was...
I started trading boots in the early 90s, then Looney Toones (I was on the list) consolidated it and filled in some gaps. Working with the band in the 90s meant I got some of these fun extras a long time ago with an implicit nda.