Lol great analogy, I used to think the same until I had my Orange OR15 modded with a depth control and mercury iron. It sounds huge. When I compared it to my old Monomyth Origin 50 it sounded just as beefy, I couldn’t tell a difference between the el84’s and el34’s.
Definitely sounds great, I’ve wanted another JTM ever since I sold my JTM1. Love that fat crunch.
I’m surprised there hasn’t been any talk here of the new Orange OR30 that just came out, another killer sounding amp.
Sounds pretty cool. I had the BE, it definitely needs to be goosed with an overdrive. This one sounds like it fixes that and covers a lot of Friedman territory.
I love the 2c+ it’s the only module I have left. Instant Metallica. Uberschall was my favorite before the 2c+ came out.
Sounds like it’s the new trend, I wonder why. I can’t image they’re saving a whole lot of money by doing this but possibly. Or maybe it’s to build them closer to originals.
I’ll also mention the case is super nice. Extremely well built new design with a very high end feel. Kudos to Gibson on that, if any of you guys need a case I’d highly recommend grabbing one of the new black ones.
Thanks! Bending the strings is what’s bothering me because my finger tip drags on the board. My JC Wino frets are similar but still wider and a tad taller.
I’ll give some time. It’s setup awesome, the lowest string height I’ve ever experienced with absolutely no buzzing - just that made me...
I’ve been wanting to try one of these out and found a good deal on one. It’s better than I expected, the bridge pickup sounds great. The only thing I’m not liking and was surprised by is the frets, they’re way smaller and lower than any of my other LP’s. Is this a new trend from Gibson? Curious...