My Nazgul is in only a dropD guitar. I could imagine that it would work ok for deep tunings, but I want to get rid of it on this one, it just has no ferocity to it.
Years ago I had a Nazgul 7 that had so much djent quack to it, it was the worst pickup ever. I hear the 7 version is different...
I had one for a few years. I liked it, but did not love it.
Some issues/reflections:
the clean channel was fine enough but completely uninspiring as a clean. Add the built-in OD and it was okay for that kind of rock thing, but again, not great.
Channel 2 crunch was awful. I tried to make it...
I have one from this black run. It is glorious and may have ended my decades of amp flipping. It can get that open clear Malcom roar , Cameron-ish hi attack, or a saturated hi gain that is so easy to play. The clean is fantastic.
GLWS
just chiming to say BK rules. I think I like the juggernauts the best all around but the Aftermath just totally slay in my LP for detuned aggression (the cleans suck lol)
Getting the initial setup takes some time, but once you do it is so in tune it is like angels singing, with perfect intonation. And easy to adjust a few cents on the B for that VH tuning too, you can surgically dial it in. After proper stretching, it will stay in. Use the same string gauge and...
Nice job!
Soundcloud seems to sound different depending on where you listen to it. For example, on my mediocre pc laptop, there is clear degradation- but on my iphone it sounds fantastic.
Kirk is right in theory, but in his practice it just seems to be an arrogant way to defend his lack of growth and justifying why he had 8 years to prepare something but instead just wings it in the studio, falling back on simple rock blues riffs.
Once he ran out of the original Mustaine Solo...
Paul's tone is good...not sure if it is the best ever and most sought-after tone by all, but it works. His chops though! It doesn't matter what era you listen to, it is all jaw-dropping