Search results

The M9 has been a godsend for my studio rig. I don't use the overdrives, but the fuzzes are cool. It's got so many effects that I would never put on my pedalboard, but I now use because they are there, like seekwah, and EQ I used today.

Christopher used to have the studio downstairs from mine. VERY cool guy. He almost bludgeoned me for taking his parking spot 1 too many times! LOL :gethim: He let me borrow his touring Egnater M4 rig once so I could check it out. He's one of the original botique lovers. Was telling me...

I recently had a crappy situation where the buyer had the delivered unit, Paypal had my money, and then the buyer claimed the unit was damaged. So everyone has my stuff, except ME! CRAPPPPPPY!!! :doh: Paypal sucks now. Back to money orders and cashier's checks. :gethim:

The "Tone King" has a knack of making everything sound bad. :bleh:

Quite nice. If you keep the "gain" low, I think it works better. High gain, kinda sounds "tube screamer-y" in the mids. For me in the studio, it works great for just a little more gain.... just a touch... and for making musical feedback and harmonics 'pop'.

So you went into the front of the amp? Not the "return" of the FX loop? Sounds pretty good. :rock:

So whatever happened to Todd Langer (cheif MP-1 designer)?

I'm sure there'll they'll release an "ADA MP-1 Classic Classic". ;)

I'm kind surprised there isn't a MTS module, or Line 6 models based on it. It's a very under appreciated voice of the 80's.

Not much mention of the ADA MP-1. I never had one, but some of my all-time favorite 80-90's tones came from that box. Nuno B (Extreme - Pornographiti) Vito B (White Lion - Big Game) Paul G (Mr. Big) Skid Row (1st Record) Alex Skolnick (Testament - Practice What You Preach) Metallica (Black)...

Yeah, his solos on the WS record, really aren't all that good :scared: I'm sure Reb was bummed... I was bummed too. :cry: BUT! His solos on Winger IV are KILLIN'!!! I want to make the sweet love to his solo in "Right Up Ahead".

:rock: NICE! I'm excited to hear! IMO, Reb and Kip are a perfect match. There's a harmonic richness in Kip's writing that Reb really compliments, because he accents the harmonic content (musically speaking... not pinch harmonics :lol: :LOL: ), and is able to keep it dumbed down so it sounds...

Only avail in EURO right now. :doh: I pre-ordered on Amazon. I'm really psyched. I was afraid that they wouldn't make another record for years. I thought IV was a great record. Definitly among the best of the "80/90's metal" new records (Also Whitesnakes new one which Reb also has some...

DOH! I'm wrong. Well... At least I photoshop well. :cry:

:D sorry. bored working today.

Very cool test. So this was both into the Palmer speaker sim? If so, that's pretty impressive. I'd say the 1st part was the OD100... it sounded a little rawer and uncontained. Part 2 the Axefx... sounded like it almost had a little noise gate in it. It sounded more tidy, like it was really...

Well... I bought Rareguitars' LynchBox, and I'm sending off a module to Salvation for the Diezel mod. I'll get an A/B going once everything comes together.

I don't know if a Seminar is for me. I don't really want 1 amp to replace the VH4. I was looking at the MOD50 because it might be able to do the VH4, + give me some other tonal options.

Thanks for pointing that out. VERY impressive clips. The Benzine clip is similar to a VH4, most especially when it was in the lower gain sections. The higher gain stuff seemed (from the clips) a little looser and wooly than a real VH4. I was really impressed by the his Uberschall module...

I have a Diezel VH4. It's great, but my %13 is better than the ch1, my VHT Deliverance is better than the ch2 (although ch 1&2 DO rock!!!), and ch4 I never use. So basically, I have this monster amp, for ch3, and sometimes ch2. I'm wondering if the MOD50 can do that Diezel ch3 tones, then...