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"WE'LL BRING YOU MERCILESS.... DEATH!" ? Don fuckin' Doty! :rock: Sounds great indeed! My kinda tone.

Cool tone! The JB seems to have more fuzzy/woofy scratchiness going on for a lack of a better description. The Aldrich sounds tighter and better 'reigned in'.

So, I tried it out this afternoon on my Lead 100 MOSFET; if you're going direct into the FX Return, you're basically bypassing the master volume knob as well (since the Send of the amp isn't used), which means that your clean tone is pretty much at max volume, and it's kinda dull. The BE-OD...

TC Harmony G XT has phantom power. But it's long obsolete, so probably you're only choice is finding a used one. https://www.tc-helicon.com/product.html?modelCode=0726-ABM I had one for a few years, with big ideas to use it in my band, where I do some backing vocals...but in the end, I figured...

Big ups for the bottle of Bogle there! (y) And RIP Donnie. I always got along with him and seeing the shit treatment he got by various folks in OT, made me steer clear there most of the time.

Thinner than through a typical Fender clean tube amp. The Artist (like its solidstate brother Lead 100 Mosfet) has quite a bit of filtering going on, removing a lot of low-end from the input. Drive-wise it obviously has a lot more gain than what the amp itself is capable of (unboosted). What I...

Ok, start with the 2 I mentioned, plus "Scott Tenorman must Die", which is the episode where Dan's clip was from. :sneaky:(y)

One of their best episodes ever, together with 'Make Love Not Warcraft' and 'Good Times with Weapons'.

Purely when playing with a LOUD drummer. I've rehearsed with the Ironball with a balanced drummer, where I plugged the Ironball into a Marshall 4x12 cab that was in the rehearsal room. Sounded good. But yeah, at that point the Master level sits around 6 ot 7 (out of 10), so your clean sound...

Engl Ironball back: (has reverb control + headphones out ) Engl Fireball 25 back: (has noise gate control ) Both have 4 functions that can be footwitched: Ironball: Channel, Gain Boost, Master Volume Boost, Reverb Fireball: Channel, Mid Boost, Master Volume Boost, FX-Loop Purely based on...

@conanthewarrior Note that the Fireball 25 and MT15, as well as the bigger EVH 50W all have 'big' tubes; 6L6. This usually translates to a fuller tone, even for tight metal, compared to amps with 2x EL84 tubes, which are considered 'small'. Now, I will say, as someone who owns and gigs with...

Awww, thanks bro!

You're all talk there, but remember when some mod wasn't being 'Easter bunny pet my head' about your dog? Suddenly it wasn't fun and games when someone else was dishing it, eh? So... whatever. ? Many thank ? , no offend. Pierdol się. @NowYou'rePlayingWithPower I thought the other thread was...

This happened with my Caliber 50+ as well in the fx Loop. The TC Alter Ego V2 has no issue, but an Ibanez Analog mini delay also sounded extra muffled. According to Mesa there's no fix for that... It seems like a level or impedance mismatch.

He has a specific delivery style and nerdy 'humor' that he started to believe in himself a bit too much.

Sure, but I wouldn't want to give up such an awesome crunch/med gain Marshall-esque channel because the clean channel in a 3-channel amp is not to my liking...

Yep, both mouths scream 'lack of sunshine and protein' for some reason. :unsure:

Within 1 minute of the video he is already humble-bragging... :jerkit:

Well, I consider Chuggamuffin a heathen for seemingly ignoring my contribution. ?? I even kept my shred-noodlin' to a minimum. ? But yeah, Heathen, early Flotsam, Atrophy, Forbidden, Paradox, Artillery... Some of those influences probably shine through.