Calibration can definitely change things. My captures are calibtrated for 12dbu of input. I think the Tonex One is 8dbu? So even with the input trim set to 0 it would be running the captures hot with the gain set to 5.
Here are my captures in the software:
If I didn't have a license for them, they would look like this:
You can click on the pack name and demo them for as long as you like with intermittent static. Or, you can click try and test them for 30 minutes without.
Just checked the Tonex Editor and could not find a way to demo the paid packs, unfortunately.
Seems it would need to be done in the main Tonex software. And after purchase they would be in your library and available in the Editor.
All of mine that are commercial can be tried free in the app under the partner section.
If you haven't found the partner section yet click Tonex in the top right, then collections and then Partners.
Scroll down to Live Ready Sound.
Of course we have many free captures also that can be...
It's a mechanical energy transfer through the nut and bridge to the wood.
Anyway, my stance is woods have their properties in this context and effect the sound.
No sir. It is not a sine wave created by the strings.
The strings pass vibrations to the body which, in turn, the body sends some of those vibrations back.
Some of these interactions may raise certain aspects of the tone or even cancel some out.
The standalone versions of Tonex differ only in the included rigs.
Free version only let's you download 20 cloud or imports. This is pretty limited.
Tonex can also be loaded in Amplitube so you can use the full effects with the Tonex models.
I personally would demo the rigs included in Max to...
Sweet. I recently ordered some 12au7 to try it the Bad Cat Lynx as the damn this is too high gain.
The tubes were old long plate and pretty microphonic unfortunately. But, what I noticed, in controlled circumstances they actually add depth to the tone.