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Same. The Bad Horsie, my version is from the first run in the mid-90s, has a certain “thing” to the eq that works great into a lot of distortion. I don’t like it for bluesier applications/single coils. That switchless feature is great.

Be sure to get one that has el-34s. And, get the capacitor that feeds voltage to the preamp tubes replaced with a beefier one. That is one of the “issues” with the SLX.

Headless since 2001.:LOL:

Bogner Helios 100w. I run mine through a Suhr 4x12 with 25w greenbacks. It does every Marshall tone I’ve ever lusted after. Including the JCM800.

Depending on the amp I’m using, one of these.

Interesting to hear songs that were “works in progress”.:rock: “Friends” is still such a cool tune.

Rivera m100 for $200 and a shitty distortion pedal. (I don’t even remember which pedal it was) Bought it from crankster up in Clear Lake CA.

I’ve been playing D’addsrio 10-46s since ~’91. They work.

Epitome of badass.

You can!! I’ve purchased a bunch of handmade straps from these guys. https://www.snakeskinstraps.com/

Gotta love those MiJ Les Pauls! Picked up an Edwards Sykes clone a couple of years back. Totally scratched my Les Paul itch. Paid about 1/3 what a decent Gibson would’ve cost. Had Graph Tech nut and saddles installed, so it’d stay in tune. Swapped out the Duncan SH-6 at the bridge, for a Pariah...

Addendum;

Scarified

It was killer. Getting to see those guys play thst shit live, was insane. My amigo, who was a photographer, and I, snuck in his camera and a lens, in our jacket collars under our hair. So, he got the photos. I saw Cacophony about a year later in SF. No photos, sadly.

From the Racer X show, at The Omni, in Oakland, 1988. We were right down in front.

My Top 10(in no order) EVH George Lynch Eric Johnson Steve Vai Allan Holdsworth Jeff Beck Shawn Lane Michael Schenker And for 9 and 10, all the players from Shrapnel’s golden era ‘85-‘95.

Works for me.

I have a Duncan “Alternstive 8” in my LTD Desert Eagle. I like it. It’s sorta dark sounding, and it’s pretty hot. But, I would think it would work really well for modern metal applications.

At least Ed was playing loud enough to cover the acoustic sound of his guitar.