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A lady I know here in my town had her husband pass away a few years ago & he left behind a massive high end guitar collection. I've helped her find buyers for a lot of them since then. Anyway here's the most recent one she's selling, a beautiful Zion. I offered to post it here and help out of...

Zero Treble has been a thing on Rectos forever. It's a totally different dynamic. ...but Bass at 0 and boosted? Are you playing an 8 string in a 3 guitar band??

Sounds about right to me. What's the dB reading at the cab? Possibly your'e just too quiet? That'll fizz a Recto.

I gigged the SLO100 at the theater we play the most at, I will say that was the only time FOH actually made me turn down- and I usually bring a Mark II Coliseum. I think I ended up around "2". It's a crazy loud amp, plus a lot of this has to do with where the mids sit since perceived volume is...

Makes sense, I've never played a Gotoh. That said I know a guy who works for Kahler, does luthier work & knows how to set them up. Anyway, I might be biased, but I can't think of a single way an OFR is better than a Kahler.. Boggles my mind why they're not more popular!

Can you post your settings & sound clips for the MW vs your 2 ch?

I went with rings because it gives you more swap options.

Lisa is there a reason Kahler wasn't an option? IMO they obliterate Floyds.

Please refer to my signature. ...And good luck to the gladiators!

Yes, even on the R2 channel the no/black/purple are lower gain than the red/blue/green. Conceptually the III+ makes them all "the same", but pragmatically there is still some color from the basis that shows through.

Asillio.

Hmm.. If I'm using one mic I just plug it straight into the interface. If I'm blending mics then I run them through my mixing console & blend to taste with the faders. -50 on my board would be ultra quiet. There are a hundred ways to combine amp volume, fader level, input level, etc.. to get...

The "Lisa Special" with luminous sides could be legit. :)

Must must must have big inlays!!! Also big fan of luminescent side dots. Fuck board dots. Can't see them for shit on a dimly lit stage, plus they're boring.

Kinda serious question, how does a chinese knockoff LP compare to a MIC Epiphone LP? The Epi's QC is so awful I'm wondering it they're pretty similar.

Regardless of cab volume I always set the mic pre to max around -6. Let the palm mutes just kiss the orange.

I've done a ton of testing with real gear at different volumes. With my setup I've found that around 100 dB at the cab is the sweet spot, up to 105. More than that and the mic starts to not handle it very well. Going lower is fine until the amp "turns off". Here's one I did with a Dual Rec at...

That's why I picked banana reverse! Back when I was gigging with a Kamikaze, by favorite thing about it was all the inappropriate phallic movements you could do with it on stage..

Reverse is where it's at. Why would you NOT want better string tension on the thickies?!

Following up, the '68 Custom PUPs measure 6.77 on the bridge & 6.80 on the neck. Man, the more I play this guitar the more I like it. By far the easiest Gibson I've ever played. I think I'll start an 80s cover band just so I can gig it. :cool: Interesting thing I found yesterday while...