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Kemper if you just want great tones to play Fractal if you like endless tweaking and effects

I remember reading the Whitesnake Biog and hearing it was a Mesa Mark Coliseum II maxed out with all sorts of phase shifting, pitch shifting, chorusy stuff going on to thicken things up. It was into Marshall 4x12s. Obviously the Gibson Dirty Fingers pickups had a large part to play.

Nothing more rock n roll than a corporate reshuffling

I just wanted to lay it out in a constructive way. It's a forum to discuss this exact thing. The real time/energy is invested by those blindly shilling a corporation or telling people how to feel.

No hate, this is expressing an opinion with examples

Things are constantly changing... but this is current:

Ironically the best Gibson I ever played was a Tokai haha! I totally get what you mean though.

I'm not a fan of Gibson, and this opinion has resulted in some serious hate and personal attacks, which I find pretty funny. If I had a penny for every time I was told "Look who uses Gibson" and "The best records where recorded with them," I'd be able to buy a Gibson! Shilling for a failing...

I really liked that cold, washy, reverby sound of 80s thrash/speed/power metal :( Had a cool character to it.

My theory is the louder things are, the more strain on the eat drums which drastically changes your sonic perception. I honestly use in ear protectors to dampen the sound specifically cymbals. I have an AxeFX with FOH feed and then the secondary outputs running with no cab simulation to a...

Anyone who "responds to the internet trolls," already is showing a lack of intelligence. It's also the most obtuse way to show how insecure you are about your own ability by going online to try justify it to strangers. Kirk just needs to stop being a Lars and just enjoy the fruits of his labor...

The "Just trust me bro, I won't provide any evidence though" defense diffidently didn't work in court for my public indecency charge.

I put together all the legacy software for the AxeFX Ultra and presets a while back. These include all the rare Mark Day, Tesseract etc presets. Also many of the preset/IR conversion software that are hard to find online these days. Hope it helps \m/...

I guess this is with the assumption the Mic and Pre are of decent quality? A bad set up can kill the capture.

I feel there are two types of Sloppy.... Sloppy due to feel - Fretting out the last note of an epic sweaty solo doing a "face". - Small mistakes in the heat of the performance Sloppy due to lack of ability - Disconnected left and right hand - No feel - Predictable patterns - Trying to play...

If you read his Auto-Biog he says he's not influenced by them. If you read the unofficial Biog it states he was obsessed with Uli and Blackmore. People tell stories of him copying these guys heavily in the late 70s in Sweden, buying the clothes, amp, guitars, scalloping etc. The only guitarists...

I deffo try to be the Utilitarian dude... I always appreciate the work of a decent sound guy, so I try to work for what is best for the venue. I take an AxeFX with L and R out for the desk, and a Poweramp to give me a little stage volume. At home, it's more about the big 80s racks and cool...

At the end of the solo throw my guitar accross the room but no one is there to catch it....

By this stage... about 10% of Timmy's income comes from Rig-Talk directed viewer ad-revenue :ROFLMAO:

Wow that's very kind of you to say! Light strings, lemon oil, and really wiggle that wrist. (Tall frets also helps with reducing friction.)