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I've owned many amps and one of the amps in my collection is a MT100, along with JPC2, Chupa100 that I modded both circuit wise and with MM transformers, Origin 50 I modded similar to a Friedman JJ circuit, 5150III stealth 50. I would say that the MT100 has a great clean channel, and awesome...

Lynchback speakers are some of the best I've heard.

John posted this picture to Instagram and I’m wondering what is the additional knob added where the footswitch jack is on his 2 mark IIc+ amps?

I've owned a 400, 395 and now have the 500. All sound great to me and have a little of there own thing going on and sound different but not in a bad way where a guy could have kept all 3 but ended up just keeping the 500. At the time I thought that the 500 was bigger, bolder and tighter...

you mean "tribute." :ROFLMAO:

Someone buy this and clone it.

What are the differences?

One thing I will say and this is just my opinion is that the JP2C struggles in the crunch department compared to the VII. It's more of a 2 high gain channels from what I found but that suits my tastes more the the other.

Did you find that the mark iv's were a little more loose or soft on the attack and a little wider sounding then say the JP2C's when you had them? I found the JP2C to be a little more focused, I wouldn't call it boxy or compressed, almost like it was more perfect or produced sounding if that...

I have a PRS 277 that I think is awesome, got it from sweetwater for like $750 bucks, it is built really nice and good quality, sounds and plays great.

To be fair it was an older model which I'm not sure if they are much different then the newer ones. You never know what is going on with the tubes or differences in circuits. I was never very impressed with the UL, got to play one for a year and it just collected dust over my other amps, not...

I own a JP2C and have only played the VII. I really like having dual eq's and the ability to set up both gain channel differently with the graphic eq's and shred mode for when I drag out a down tuned guitar on the JP2C. I think the VII sounds great as well with some cool features!

I also have a Tremonti "baritone" in 25.5" scale and it just rips and I will never sell it, thing just sounds amazing and plays great. The only knock I can give it is that the neck pickup that comes with it can't be wired to be split. I have a SE 277 which also plays great and the quality for a...

Mesa Boogie Triple 2 and 3 channel rectifiers. Wanted to love them, think they look cool with the diamond plate chrome and black chassis, but man just could not get over the high end sizzle or grind and loose, flubby low end and scooped mids. I’ve heard so many great recordings of them I just...

Most amps that have a resonance pot are 1M audio taper, with a .0047uf cap and a couple I've seen have 250k, 0022uf. I've played around with capacitor values and different pot resistances. .0068uf sounds really cool as well with a 1M pot. I found the 250k pot to not have enough range for me...

You mean to say that in the last couple years gibson hasn't been cutting corners on their guitars?

I believe on the blue channel it's just adding a bright cap over the gain pot.

Who ever built that amp is a hack.

Can you show me on the schematic how the cap is wired to the input and output of the pot for the bright switch on the rhythm channel? If you look at the schematic there isn't a cap wired to the output of the gain pot, it's on the input. On your last picture that you are showing, one side of the...

Negative. The clean/crunch, bright switch doesn’t do the same thing as the Haynes mod and the clean gain pot doesn’t have a bright cap wired across the lugs.