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This is a show three days after Budokan:

I believe that was only during the Ozzmosis tour. They wanted a live backup singer instead of using tracks. Mason said it was mostly replicating the double-tracking Ozz did in the studio, as well as harmonies. The guy being hidden backstage made it look duplicitous. In the five times I saw Ozzy...

I've heard Ozzy sound fantastic live. Budokan is touched up like any live recording. There are a couple spots where it's noticeable. Don't care. This DVD was my first true exposure to what a Guitar Hero really is. Zakk Wylde is so killer I was instantly obsessed at 12 years old.

SD-1

I don't know if it ever existed, but... What I'd really love to see is a stereo chorus/vibrato pedal with two modulated delay lines to left/right, standard rate and depth controls, but a third knob to control the phase offset of the two modulated lines, and a mix knob that runs down to 100% wet...

I use the tape mode on my DD-8. Close enough for me.

I have one. I believe it is German, although I never checked the packaging to confirm. It's a weighty unit and feels of high quality, well machined. I reckon it's cheaper than a standard Floyd because there are fewer parts involved (no whale tail or fine tuners, and wood screws instead of...

Been wanting one for a while, finally pulled the trigger on a used one. Right now I've got my IR-200's effects loop set up for parallel, post-IR. In the parallel loop I've got an MXR Studio Comp, an MD-500, an SDE-3000D and an RV-500. But I'm tired of running my modulation and echo effects in...

Locking tuners on almost everything I have.

I bought one on a whim and made it my standard tuning thrash guitar. IMO it bats well above its price range.

The last Ozzy album I love is Ozzmosis. There's good stuff on the ones that came after, but on Ozzmosis he still had his voice and Zakk was still on fire. The outside writers were starting to creep in and the production was shit (Ozzy fucking hated Michael Beinhorn). Very much the beginning of...

Yep. Starting with Ozzmosis it was no longer a band writing songs, it was outside writers coming in and the label getting involved (shitcanning Michael Wagener for Michael Beinhorn) and the whole vibe was different.

It's funny how things work out. Another opportunity popped up, this time to rent a DSL40C, so I thought, why not? I've disconnected the cab and I'm running the speaker output into my Suhr RL, into the same IRs and setup as the EVH. A little fiddling to figure out the controls and dial in and...

This is my exact experience as well.

I saw her in August. I could see her ass from between her legs. Gorgeous tone.

I definitely have, but the 205 is almost twice as much as the DSL100 and the 410 is even more than that. The JVM is definitely featured the way I want, it's just out of budget for now.

It's been in the works for a while but still no word on whether it's just a repackaged D+ or if (like they should) they put his 10-band EQ curve into it. If it's the latter then I'm definitely getting one.

So after a week of playing, I have some more in-depth thoughts. I've switched to a G12H-based IR and I think it's a better fit for the amp, which makes sense. In the same vein, the amp reacts in a totally different way to my Wolfgang Special than to my Les Paul or Super Strat, it just gets into...

Interesting that he's using his own gear and Dime's rack gear.