Anyone compared the Bogner Red vs Friedman BE-OD Deluxe pedals?

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Speeddemon

Speeddemon

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After finding out recently about the Friedman BE-OD Deluxe, the sound in some of the review vids had me intrigued.

I've owned the Bogner Ecstasy Blue and Red pedals myself, as well as a Blackstar HT-Dual, AMT SS-30.
They all had their pros and cons.
The Blackstar sounded probably the best (tube and all), but it was big, bulky and needed a special power supply.
I couldn't get the AMT to sound as tight as I wanted... Like this tone on some Youtube vid...I think it's too muddy.

With the Bogner Red, as awesome as it did sound, I could still tell it was a pedal (duh) instead of a more realistic simulation of actual amp distortion.
I wonder if the Friedman BE-OD Deluxe improved on that?
 
I had the big Bogner Blue and Red pedals 2X. I had the Friedman BE OD and BE OD Deluxe 2X.

I would love to have BOTH Bogner pedals again.
Between to Friedman pedals, I preferred the BE OD. The Mids on the Deluxe did nothing for me and the Tight control was a 3-position switch. The BE OD's Tight control was a variable knob.

The only time I recorded the Bogner Red was w/ a Strat, thru a Vibe and into some Marshall (maybe my 50 watt Ceriatone) set clean.

 
I had the big Bogner Blue and Red pedals 2X
Yeah, to clarify, I had the big Red and Blue too.

The Blue was awesome for that AC/DC-ish crunch, quite realistic, but as expected, lacking for higher gain stuff.
 
I had the Bogner blue and have the red one.

Of the two I sold the blue because the red one in the clean channel of the Soldano sounds practically identical to the distorted channel. I bought the BE OD on a G.A.S. attack, I must say that it is a very nice pedal, especially in solos, as the gobs of gain maker things smooth, even if a little too extreme for me, I think I won't sell it.
 
So I found a used BE-OD Deluxe locally now; man, that thing is good!

I've played around with the internal trim-pots a lot to find settings that work for me; strangely enough it seems that it could potentially use even more gain, but there's plenty of compression and saturation going on, which makes the thing a blast to play.
So far, I've settled on 2 settings (blue channel medium/high gain rhythm, green channel = high gain leads) that work well into the 'clean' channels of both my Engl Savage 60 and EVH 5150III 50W 6L6.
 
I had the big Bogner Blue and Red pedals 2X. I had the Friedman BE OD and BE OD Deluxe 2X.

I would love to have BOTH Bogner pedals again.
Between to Friedman pedals, I preferred the BE OD. The Mids on the Deluxe did nothing for me and the Tight control was a 3-position switch. The BE OD's Tight control was a variable knob.

The only time I recorded the Bogner Red was w/ a Strat, thru a Vibe and into some Marshall (maybe my 50 watt Ceriatone) set clean.


WOW! Incredible!
 
I've owned all 4 of those pedals at the same time,plus a real BE 100 deluxe head and 20th ann.xtc head.
BE pedals are very nice no doubt about it.especially if you've never played the amp head.But running into a clean platform like a fender Princeton or bandmaster,the bogner pedals felt more like the playing thru the real amps to me.Especially the blue.
 
the bogner pedals felt more like the playing thru the real amps to me.Especially the blue.
Agreed, the Bogner Blue was very amp-like. The only reason I sold it, was it had too little gain for the stuff I was planning to use it for; as a back-up solution when there's a backline (in a rehearsal space or something) that has so-so amps and where it's better to use the amps clean.
 
Agreed, the Bogner Blue was very amp-like. The only reason I sold it, was it had too little gain for the stuff I was planning to use it for; as a back-up solution when there's a backline (in a rehearsal space or something) that has so-so amps and where it's better to use the amps clean.
Agreed.
I set the blue up for edge of breakup stuff.Its got great touch sensitivity at those levels.I never go heavy with it.
Then I use the red or others to go heavier with.
 


In this video, at 17min51sec. the guy compares the Bogner Red to the regular (non-Deluxe) BE-OD with a shred-style riff.
This is a good example why I prefer the BE-OD; it's less 'gurgly', a bit more modern, while still in the Marshall-y vein.


But in this video, in the first half, the Bogner Red indeed sounds more amp-like and the BE-OD is too scooped. (Luckily the Deluxe adds the mid-knob). But with the dropped-tune riff in the 2nd half, the Red shows this 'gurgly' quality again.
 
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