I would certainly not be one to argue with the master. If all a person were interested in was modding the amp from using 6L6s to EL34s, it (probably) wouldn't be worth it since the difference is not that significant considering the time, effort, and money required to do the mod work. Now that being said, Jerry offers more than one 5150 "metal mod." There is, of course, the 120-watt metal mod based on running four 6L6s, but there is also a 60-watt metal mod that allows a person to run the amp using two 6L6s or two EL34s, and you can switch between the two different tube types very easily via a toggle switch on the back of the amp. I had that 60-watt metal mod done along with several more of Jerry's tricks and tweaks. It wasn't cheap, but the result is killer. That amp is certainly one of my favorites and always puts a smile on my face. It's a keeper for sure. It's easy and fun to play, letting me lose myself in that sweet spot of aggressive chunky rhythm and singing lead tone. I think Ruby EL34BSTRs keep the bottom end big, tight, and clear while allowing the mid and higher frequencies to really shine. When I A/B test between the two tube types, I can certainly notice a difference. Both tube types sound great because the amp has been finely tuned and tweaked by Jerry to yield optimal performance, but I have a definite preference for the EL34s. They give the amp a bit of sparkle without losing definition or its inherent aggressive character. If anything, its character is enhanced. You probably wouldn't notice it in a mix, but when you are just riffing alone at home (which is what I mostly do), you can really enjoy it. It's like a little bit of magical pixie dust. And that's all I was ever looking for--a really nicely tuned up 5150. It scratches that itch every time. Needless to say, the end result is different than a stock Peavey 6534, though I have always been curious as to what Jerry could do with a 6534. I'm sure the results would be just as magical.