Controversial gear opinions…….lets hear them.

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EyesOfTheSouth!

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Here’s some of mine

The EVH line of amps are WAY overrated

All Celestion Creamback iterations suck

Dimarzio’s are worthless unless you are trying to fix a crap sounding guitar.

If you have to boost, then you have the wrong amp.

RFT 12ax7’s are garbage

Modulation always goes in front of amp

OG 5150 is the pinnacle of metal tone

Pick choice has more effect than preamp tubes
 
I hate BKP pickups, they all sound as sterile as chinesium temu guitars

If you can't play "Scarified" you don't need your shredder guitar
 
I hate BKP pickups, they all sound as sterile as chinesium temu guitars

If you can't play "Scarified" you don't need your shredder guitar
Damn. I forgot that one. I drank the juice several times. The BKP’s all left me thinking WTF
 
Damn. I forgot that one. I drank the juice several times. The BKP’s all left me thinking WTF

I love their aesthetics, and I think it's really cool that they offer the custom finishes to everyone ya know?

But I swear to god every time i've played a guitar with BKP in it, i end up thinking "this is it? seriously?"

For that type of money it's absolute insanity, you can get way nicer sounding stuff - and with Wagner/JWP you can get whatever custom options you want to boot, for the same type of money

Every single one ive played i came away thinking "am I insane? i'm the only person on earth who doesn't think these sound good"
 
May be late to the party on this one, but a blackface bassman might be the most versatile rock amp of all time.
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Here’s some of mine

The EVH line of amps are WAY overrated

All Celestion Creamback iterations suck

Dimarzio’s are worthless unless you are trying to fix a crap sounding guitar.

If you have to boost, then you have the wrong amp.

RFT 12ax7’s are garbage

Modulation always goes in front of amp

OG 5150 is the pinnacle of metal tone

Pick choice has more effect than preamp tubes
Is modulation in front of amp controversial?
 
Gibsons sound better with single coils.

Single coils sound better for almost everything, including high gain.

The EVM12L is the best speaker ever for metal.

The alnico EV SRO is the greatest guitar speaker ever made.

The best V30 ever is the original early '90s Marshall Vintage, the others sound like shit with high gain at high volumes.
 
The Dean Costello HMW I just heard was the best fucking metal tone ever created.
 
Much of what we think of as "good" guitar tone is largely the judicious use of key pieces of studio gear - tape compression, Pultec EQs, Distressors, SSL center sections, Neve channels, GML 8200s, various hyped mics and an arsenal of reverbs and echoes ranging from LMT plates to Sunset Sound chamber 1. If it actually sounds awesome in person in the room or in an unprocessed room mic, we can talk about magic amps, speakers, pickups etc. Otherwise I don't want to hear it.

The tones most people like on record are FAR brighter than what they like in person.

Marshalls (other than maybe the JCM2000 and JVM) are seriously overrated for anything other than pure rock playing.

Closely related, your "rolled back" cleans aren't clean. They are shitty cleans.

The advantages late 60s through 80s 100w Marshalls have (namely very uncongested mids and very stiff/uncompressed transients) are only really useful in 2-guitar bands. In a 1-gutiar band you want to fill more space than that and don't want your transients to be that pokey. Buy a Bogner or Soldano instead.

Trying to be "metal" especially in terms of gear is tiring. Just stop. Trying to be "metal" in terms of behavior is even more tiring but that's a different controversial opinions thread.

When you say "it sounds good/great/tight boosted" I just mentally replace that with "it sounds shitty" and move on. If you want to sound like a cheap gain pedal, you do you. That has a place - and the place is playing with backline (although you should be judicious in selecting your gain box). If you're running through an expensive amp of your choice there's no excuse.

I don't really want an amp to be super tight.

What you want in your monitors and what you want in the mains/in the final mix/in the room are radically different. Almost all players play better with a fairly dynamic/uncompressed monitor signal. What you actually want in the room is much more compressed. You cannot use the same signal for both and be totally happy. But you'll do better with a more room-like sound in the monitors than vice versa. Your articulation will suffer a bit but that's life.
 
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I hate BKP pickups, they all sound as sterile as chinesium temu guitars
Gotta be amp dependent, but my experience has been the exact opposite, at least with the Holy Diver. Haven't had much if any time on the rest of their line.
 
Sammy Hagar lied in the lyrics to "I Can't Drive 55", and could, in fact, get his car out of second gear.
That 512BBi he drove has very tall gearing. He was pretty much telling the damn truth. They had to do that to hit 175mph top speed with the lower redline in a 5 speed.

It's a different car with short gears, that's for sure.
 
Boutique amps are overrated.
I’ve owned a lot in the past 25yrs.

Give me a good 90s 2 ch recto and an old 2203 and I’m pretty much sorted

I get more mojo from these than I ever got from a bogner, wizard, diezel etc

Still great amps don’t get me wrong, but I’ll pass
 

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