Old School Steve
Member
What do you think of pairing a Flint (I love its Reverb + Tremelo voicing sounds) with a DIG or a Halo delay?I’d check out V2’s of Strymons, personally. There’s something I always notice with the bypass/buffer in the v1 Strymons (except the Volante). The ones with the jfet front ends seem to respond better to my playing. I’m in the minority here as some don’t hear that difference. I’m sure a small jfet boost would solve that issue. I will say after using the timeline and big sky live quite a bit, I don’t care about the buffers and nuances all that much - but at home I’m more of an analytical listener (to a fault). Wish they would quit dragging ass and launch the timeline 2 already.
- Collider: wouldn’t sleep on the Collider, as I see it mentioned a ton here. Had the Nemesis for a while and it’s very cool.
- Dig V2: if you’re primarily wanting digital it’s a beautiful sounding delay. I was able to get some cool Billy Howerdel Mer De Noms tones out of a V1.
- Big Sky: it’s cool and I played one for a lot of live stuff for a few years. Everyone uses cloud so I would typically go with a different engine. It’s all good for special effects but I prefer my reverb post amp and not so much special effects cinematic sounds.
- Flint: 80’s mode sounds wonderful.
- FTT Flight Time & Future Factory: both are on my shortlist. Something about the way these sound reminds me the most of the 90’s era.
- Volante: pretty flexible in studio mode for a clean digital-esque sound.
- Timeline: it’s a classic. I’m waiting for a V2 to come out. I’ve bought and sold it multiple times.
I will say I recently scored a blackface Intellifex for $100 and it’s killed all my delay/reverb gas.
I just know that I won't have the patience to deal with dozens/hundreds of preset banks and large instruction manuals for the Big Sky.