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FIREBALL
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what changes would i expect if i went from all 6l6s to kt88s( i dont like el34s in herbie,i only like el34s in marshalls).......thx guys for your help
FIREBALL":2uov4hfq said:what changes would i expect if i went from all 6l6s to kt88s( i dont like el34s in herbie,i only like el34s in marshalls).......thx guys for your help
Peter Diezel":34ffps2f said:FIREBALL":34ffps2f said:what changes would i expect if i went from all 6l6s to kt88s( i dont like el34s in herbie,i only like el34s in marshalls).......thx guys for your help
I don´t like the KT88 any more. Way too sterile.
Why don´t give the KT77-JJ a chance ?
It´s further a very relaiable tube.
Best,
Peter
great idea thx peterPeter Diezel":2x081xn4 said:FIREBALL":2x081xn4 said:what changes would i expect if i went from all 6l6s to kt88s( i dont like el34s in herbie,i only like el34s in marshalls).......thx guys for your help
I don´t like the KT88 any more. Way too sterile.
Why don´t give the KT77-JJ a chance ?
It´s further a very relaiable tube.
Best,
Peter
that sounds like what i wantRJF":2kl83k4h said:I will admit, I wasn't happy with my Herbert at first. Ch3 was so compressed that I found it difficult to play. I swapped out the winged C EL34's and put in 6 JJ KT88's. Big difference! The amp really opened up, much less compression, dryer less saturated tone, and very tight on the low end. Rhythm picking on the palm mutes is like an ice pick every time my pick contacts the string. That is EXACTLY what I wanted.
The down side is that the amp is now super loud, and it does take a considerable amount of volume to get it opened up and really start to sound good. Some might say the amp is too dry and "clean" sounding with 88's but I like it.