V
VESmedic
Well-known member
Because all I've done the past 2 days, is play guitar!!! 
This thing is the best purchase I have EVER made since I started playing guitar!!! Seriously, if you don't have one, GO BUY ONE, and have every amp in your professional carry on toaster. EVEN if it is only 98 percent or 99 percent as close to the original amp (and I believe some of them are quite dead on, seriously, like SPOT ON), that is STILL worth the price tag. Hell, it's basically chump change at that point compared to what it would cost you to own all of these amps/effects. Not to mention, you can tweak it and with in 30 seconds, you will have something you like just as good or BETTER than the original amp, it is that amazing. I have only used it with head phones so far, however, about to go to band practice and use it, and record with it, and I will probably be blown away I am sure! I've downloaded over 200 profiles and about 150 cabs, and have been playing with this thing non stop. The tones that some people have put up (titan preamp, fortins, splawns, diezels) are absoltuely insane. I have pretty good experience with the herbert, and I can say without a doubt, this thing nails it dead on, the feel and everything as well...Completely unreal. Only downside is, you are essentially relying on yours, or someone elses micing skills to get good profiles, that is the only possible negative I can think of, and it is irrelevant because people are doing a damn good job over in the kemper forum community. I am sold on this product, they hit a grand slam with it. Now I see why so very few are being sold used, and every studio is using one of these it seems. My good buddies at audiohammer just did the new white chapel with the kemper, and the tones are absolutely insane...Anyways I am rambling...Go buy a kemper!
This thing is the best purchase I have EVER made since I started playing guitar!!! Seriously, if you don't have one, GO BUY ONE, and have every amp in your professional carry on toaster. EVEN if it is only 98 percent or 99 percent as close to the original amp (and I believe some of them are quite dead on, seriously, like SPOT ON), that is STILL worth the price tag. Hell, it's basically chump change at that point compared to what it would cost you to own all of these amps/effects. Not to mention, you can tweak it and with in 30 seconds, you will have something you like just as good or BETTER than the original amp, it is that amazing. I have only used it with head phones so far, however, about to go to band practice and use it, and record with it, and I will probably be blown away I am sure! I've downloaded over 200 profiles and about 150 cabs, and have been playing with this thing non stop. The tones that some people have put up (titan preamp, fortins, splawns, diezels) are absoltuely insane. I have pretty good experience with the herbert, and I can say without a doubt, this thing nails it dead on, the feel and everything as well...Completely unreal. Only downside is, you are essentially relying on yours, or someone elses micing skills to get good profiles, that is the only possible negative I can think of, and it is irrelevant because people are doing a damn good job over in the kemper forum community. I am sold on this product, they hit a grand slam with it. Now I see why so very few are being sold used, and every studio is using one of these it seems. My good buddies at audiohammer just did the new white chapel with the kemper, and the tones are absolutely insane...Anyways I am rambling...Go buy a kemper!
It's actually been very liberating to not always be haunted by that next ridiculously expensive tube amp. And honestly, I've been pretty much as happy with my DSL these past two months as I was with my Bogners, VHT, etc.
I know a very nice one that would cure any future GAS! 
