First time poster and just wanted to post this with regard to the Renegade amp. I played in bands in the 80's as a younger man and had access to/played Fender Twins-Marshall Plexis-50W Randall (my main for several years) and we all used pedals (and racks) for variety across the board in those rock and roll days. Pawned off all my stuff around 1989, got married in the 90's, raised my kids, and started playing again after buying a few strats in 2006. Joined a local cover-blues band around 2009 (using another players amp) and needed to purchase an amp, with a reasonable price-tag (I was in the $ 1,000.00 price range). After reading great reviews-videos on the features of the Renegade in 2011 (as well as the background on Mr. Egnater) and playing several at GC, I took the plunge and got my Renegade in May 2012; for the price it had more features than the comparable Fenders (Hot Rod Deluxe, etc) and not as expensive as the better Marshall tube heads. I will say that my transformer did fail in early 2013, but I had a good experience with Egnater (no problem with the RA once I faxed in the receipts) and had the amp fixed at a really good authorized location (I drove the amp there myself about 200 miles rather than pay shipping, etc).....They also upgraded the pre-amp tubes with higher gain ones and I am very happy with the experience.
The amp has sounded great for me the last 17 months with rehearsals and gigs (and compliments from other players), with no problems, and the two channels work wonderfully with the Fendery cleans and Marshally dirty for a variety of songs; I have no idea if a I got an updated tranny (or a bum one initially) but for the price that I paid for the amp, the features and overall construction, and the design of the amp (modelled in each channel after some of the modular stuff that Egnater has done in the past), I am very happy with the amp.
Being a realist, I see the move that GC did getting Egnater to design the amp, and building it in China to cut on costs, but I am not a "name snob" when it comes to my equipment and will use whatever works and sounds good to my ears. I am sorry that they have had so many issues with complaints, but I am not complaining and thanking Mr. Egnater on this forum for designing a great amp that sounds awesome for a very reasonable price for working musicians. I wish you the best of luck with your future endeavors and keep the great sounding gear coming regardless of place of manufacture.
The amp has sounded great for me the last 17 months with rehearsals and gigs (and compliments from other players), with no problems, and the two channels work wonderfully with the Fendery cleans and Marshally dirty for a variety of songs; I have no idea if a I got an updated tranny (or a bum one initially) but for the price that I paid for the amp, the features and overall construction, and the design of the amp (modelled in each channel after some of the modular stuff that Egnater has done in the past), I am very happy with the amp.
Being a realist, I see the move that GC did getting Egnater to design the amp, and building it in China to cut on costs, but I am not a "name snob" when it comes to my equipment and will use whatever works and sounds good to my ears. I am sorry that they have had so many issues with complaints, but I am not complaining and thanking Mr. Egnater on this forum for designing a great amp that sounds awesome for a very reasonable price for working musicians. I wish you the best of luck with your future endeavors and keep the great sounding gear coming regardless of place of manufacture.