Mini review - Cherry Bomb

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I've play tested the Cherry Bomb extensively these past 3 days.

You all know this amp is very nice to look at and I'm sure you also heard the clips provided by Steve Henning; but is it worth buying? I'll make my best to describe my whole experience, as a Cherry Bomb user, with words (a video review is in the works).

Long read ahead

Plex channel

How to set it:
At first it was kind of awkward to set since it is not your common one trick pony clean channel. In order to fully grasp the advantages of this channel you have to set it a bit "hot" and work with your guitar's on board controls to get various tones out. Using the volume pot you can get bell like cleans, early crunch tones and hotter 80's tone.

Features:
- The channel comes with 2 levels of saturation. The higher level gives the amp enough gain and saturation for a heavy but yet articulate rhythm.
- Turn the "internal plex jump" and your tone has a very subtle thickness added and gives the sound a very vintage feeling.

Rod channel

How to set it:
I find this channel very straight forward and to the point. This channel is meant to be played hard. You can also clean it up with the volume pot if you are aiming for some slightly driven cleans. Pure cleans would depend a lot more on the type and quality of the pickups in your guitar.

Features:
- The amp comes with 2 levels of saturation. The higher level gives the amp enough gain and saturation for tight -high gain- rhythm and leads.
- Turn the "solo" and select the level of saturation desired. You can get smooth singing leads or a very heavy compressed rhythm. This option is a clean boost and doesn't color the original sound coming from channel 2.

Overall master

This feature alone makes this amp so different from the rest. You can play at bedroom levels without sacrificing your tone. You can play at the lowest volume possible and still hear the difference while tweaking the rest of the controls. All you have to do is balance the "density" control with the overall master and crank your channel's master volume. The density control will simulate a thick tone while playing in bedroom levels.

Learning curve

The amp is easy to dial in, especially the rod channel. I recommend all users to read the manual before playing. I used the recommended settings and they work great as a starting point.

The plex channel will be a bit harder for players that are not used to incorporate the volume pot/volume pedal to get multiple sounds. It would be easier to set this channel to "clean", but as I said before, you would be missing all of what this channel has to offer tone wise.

My only concerns are that the saturation and internal plex jump switches aren't labeled (ex: 2/off/1, on/off) and that the channel switch when operated manually activates in reverse instead of channel 1 to the left, channel 2 to the right. It is a bit odd at first (you need the manual), but easy to remember since there aren't so many controls to fiddle with.

Sound

This amp is alive. It breaths and growls. You can easily make it sound percussive and scratchy. This amp makes my fingers feel naked and exposed.

Missed a note slightly?
Didn't hit that note hard enough?
Didn't held that note properly?

It will all show. This amp barely compresses your sound (not even in "solo" mode). This is a great thing for players that want expressive playing, cleaner technique and a huge sound coming out (a great trade-off if you ask me). Sorry, but this amp won't play itself like many other high gainers in the market with that "squishy", compressed and forgiving sound.

Also worth mentioning is that this amp hates shitty guitars. The guitar will become completely transparent and reveal all of its flaws. Weak pickups, noisy pots, old strings, you name it.

The pinch harmonics gives a very rewarding squeal when executed perfectly. Chords are big, full and with great note definition.

Played the amp in bedroom and band context.

Bedroom context:
My mom is sick right now and can't stand loud noises. Her bedroom is right next to mine. I selected the lowest setting possible for the overall master and I didn't wake her up while playing (considering that she also wakes up very easily with most subtle sounds).

Band context:
My drummer buddy said that he could clearly hear me and thought the amp was absolutely fantastic (a guy that couldn't get out of his head for 3 years that nothing would surpass my mark IIC+ guitar tone). We played original tunes (progressive rock/metal) at very loud volumes. I feel most of the material got nailed pretty good considering that I wasn't prepared. Cuts through the mix with no problem. Also the cherry bomb design (and sound of course) got a lot of attention from other players around.

Overall

I'm very happy with my purchase. It has been a while since I've bought something that made me feel so satisfied. Mr. Henning offers world class customer service. Won't go into particular details, but let's just say that he will do anything in his hands in order to keep you a happy customer.

If you like what you heard in the clips (like I did) I'm sure you will dig this amp. I still haven't played it with effects (would love to hear it with chorus and delay).

Looking for an amp that gives you unique "plexi" and "rodded" sounds but with one of a kind features? Look no further.
 
Nice job. Could you tell us more info? What cab (open/closed back), what speakers in the cab, what guitar and pickups? Things like this will really help. Thanks.
 
I would say that's more than a mini review. I read it twice and it did nothing to cure my Cherry Bomb GAS. This is truly an amp I'd love to try out someday. Nice review.
 
Great review. I'd love to try one of these bad boys.
 
Serious, Steve's amp is the only one I am GAS'ing over right now. By just reading about the amp you can teal Steve put a ton of thought into every feature and function.
 
I'd like to say thanks to Octavio for taking the time to write such an honest and comprehensive review of the Cherry Bomb. From my standpoint he nailed the essence of the experience of playing the amp! Glad your diggin' the amp!

I'd like to clarify a couple of things from his review to help others understand the amp better:

Octavio Molina Shaw":21ptqcfc said:
The plex channel will be a bit harder for players that are not used to incorporate the volume pot/volume pedal to get multiple sounds. It would be easier to set this channel to "clean", but as I said before, you would be missing all of what this channel has to offer tone wise.
This is an important point and one Octavio really nailed. The PLEX channel is not meant ONLY to be a dedicated clean channel. It can be set for a clean tone, but as he says, you'd be missing a lot. For my playing style, I've always gotten clean sounds by rolling off my volume knob and that is something I worked hard on to get right with this amp. Frankly in either channel you can get a nice clean by rolling off the volume, but it really shines in the PLEX channel. What's nice for me, is I can get really cool gain tones from classic rock to VH to 80s hard rock in this channel AND a nice clean just by messing with the volume knob on my guitar. I know a lot of amps do this and I certainly didn't invent it - I just worked really hard on getting this sounding REALLY right in maintaining nice low-mid gain sounds and very nice cleans when rolling off the guitar volume knob in the PLEX channel- and I wanted to clarify what I was after with this channel.

Octavio Molina Shaw":21ptqcfc said:
My only concerns are that the saturation and internal plex jump switches aren't labeled (ex: 2/off/1, on/off) and that the channel switch when operated manually activates in reverse instead of channel 1 to the left, channel 2 to the right. It is a bit odd at first (you need the manual), but easy to remember since there aren't so many controls to fiddle with.
Yup, right again! Octavio described this well, but let me go a bit further. What he's talking about is the function of the LOOP, SOLO and CHANNEL SELECT mini switches on the front panel. I'll give a specific example - The SOLO switch is an on/off mini toggle and to the right of it is a red LED that lights when the SOLO master is engaged. Naturally, you'd expect that if you push the switch to the right (towards the LED), it would be on and LED would light. In actuality, pushing the switch to the LEFT engages the SOLO master and lights the red LED. It's a minor thing, but takes some getting used to. I would have had to make some more board changes to get it operating more logically, but I decided against spending a ton of money to do this because 1.) it is pretty obvious what functions are engaged based on which LEDs are lit on the amp allowing you to get used to it quickly and 2) most people will use the footswitch, which is very clear and simple to use. When the footswitch is connected, the mini switches on the amp front panel are bypassed and switching only happens from the footswitch. When the footswitch is disconnected, the front panel mini toggles are engaged again and work as described.

In terms of the Saturation (there are three of these) and Internal Plex Jump switches, which are not foot switchable, he's also right - they are not labeled as to how they function, they are just named. I tried to keep the amp faceplate very clean and labeling them really seemed to clutter the design. The switch settings are described in detail in the owner's manual and I think using your ears will tell you everthing you need to know as well.

I really recommend anyone trying the amp start with the sample settings I put in the manual (whenever I ship an amp, I set all the controls this way anyway! :yes: ). You'll, of course, tweak them to your own ears, but they do make it really clear how all the switches work and are a great start in getting your sound with the amp...

Hope that helps!

Steve
 
ibenhad":1ntfik0r said:
Nice job. Could you tell us more info? What cab (open/closed back), what speakers in the cab, what guitar and pickups? Things like this will really help. Thanks.
Octavio purchased and was using one of my Henning Amplification closed back 4x12 cabs with Celestion 70th Anniversary G12H30 speakers. Hopefully he'll chime in with some info about the guitars he's used. I know he told me that he was using a buddy's low end guitar when he first got to play it, but I think with the band and once he got home he was playing a custom made V he has...

Steve
 
Cool review...really make's me want to plug into Steve's chassis :D
 
rupe":1q7pfcs8 said:
Cool review...really make's me want to plug into Steve's chassis :D
I bet you say that to all the amp builders... ;)

Steve
 
Congrats Octavio! Enjoy that amp because they are just killer :thumbsup:
 
One of only three amps that I'd love to own forever.

Great stuff Steve.
 
I'm glad to see such positive feedback from the community. Just sharing my honest thoughts.

As Mr. Henning described, I used a Henning Amplification closed back 4x12 cab with Celestion 70th Anniversary G12H30 speakers.

The first guitar I used was a borrowed Schecter C1 Elite. Weak factory pickups and the most enjoyable sounds only came from the bridge. Noisy volume pot and the guitar had too much neck dive. That said, I could detect most of the subtle details mentioned about the amp using this guitar. Actually, most of what I describe in my review (even the part playing with a band) was my experience with the Schecter as my main guitar.

Right now I'm using my custom V. BKP nailbomb calibrated set. Neck-thru 3pc maple with alder wings. All of the positives already mentioned but without any noise and a much better response from the amp given the high quality pickups.

It is nice to know from "the man himself" that I gave an accurate description of the whole Cherry Bomb experience.
 
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