DrewJD82
Well-known member
The last piece I’m waiting on is an Axxess Unbuffer for the Fuzz Face/loop switcher.
That pic was taken when the board on the left was still a work in progress, I just finished it last night-
Somehow this all worked out in the end, but I wanted to make it as modular as possible and I wanted multiple areas of backup solutions and I achieved both those goals.
Technically, it’s two different rigs but it’s all interchangeable. The FM9/Fryette/4x12 will be for straight up metal stuff, anything heavier than AIC will utilize that set up and for everything from the 50’s up through AIC, I’ll use the actual pedalboard/Ceriatone/Fryette/4x12 or a 2x12.
Between the Fryette, FM9 and a Valeton GP-5 (tiny little modeler thing that runs profiles/captures) I have 3 different options to make it silent if I had to, but I’ve yet to even see a silent stage down here, I just wanted to be ready in case it comes up. I have five 2x12’s so I can always scale back the 4x12.
I started working with a female singer a month or so ago, she’s an absolute badass that was knockin’ out Janis Joplin and Lizzy Hale songs like it was n-o-t-h-i-n-g. She’d finish the song then look at me all nervous as if I was going to be unimpressed and I could barely get my jaw off the floor. I’ve never even been in the same room with a singer this good, never mind played with one. We’re learning a bunch of covers now to just get out and do some coffee shop shit, but we’ll be plugging away at our heavy project in the background, which will likely sound a lot like Lizzy Hale singing in Alice In Chains after they added Dimebag to the lineup.
That pic was taken when the board on the left was still a work in progress, I just finished it last night-
Somehow this all worked out in the end, but I wanted to make it as modular as possible and I wanted multiple areas of backup solutions and I achieved both those goals.
Technically, it’s two different rigs but it’s all interchangeable. The FM9/Fryette/4x12 will be for straight up metal stuff, anything heavier than AIC will utilize that set up and for everything from the 50’s up through AIC, I’ll use the actual pedalboard/Ceriatone/Fryette/4x12 or a 2x12.
Between the Fryette, FM9 and a Valeton GP-5 (tiny little modeler thing that runs profiles/captures) I have 3 different options to make it silent if I had to, but I’ve yet to even see a silent stage down here, I just wanted to be ready in case it comes up. I have five 2x12’s so I can always scale back the 4x12.
I started working with a female singer a month or so ago, she’s an absolute badass that was knockin’ out Janis Joplin and Lizzy Hale songs like it was n-o-t-h-i-n-g. She’d finish the song then look at me all nervous as if I was going to be unimpressed and I could barely get my jaw off the floor. I’ve never even been in the same room with a singer this good, never mind played with one. We’re learning a bunch of covers now to just get out and do some coffee shop shit, but we’ll be plugging away at our heavy project in the background, which will likely sound a lot like Lizzy Hale singing in Alice In Chains after they added Dimebag to the lineup.
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