NAD with obligatory gut shots

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Matt300ZXT

Matt300ZXT

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This one was a lil bit of a pain to get out of the shell. The finishing panel on the front with the logo was catching a little bit on the metal strip that goes on the front of the amp with all the numbers for settings and such. Once I got that off, it slid right out. This is a heavy bastard for sure but I dig the point to point wiring and how he labels all the tube sockets so you put the proper tubes in their place. The amp is a little noisier than I'm used to, so I'll have to strip it down later to just the input and that's it and see if it's picking up noise from a cable, or just the way it is because of the design. I can get a noise suppressor pedal to help out.

The amp sure gets loud for 85 watts, and I didn't even have it up that much, but the master volume is quite nice like everyone says Glen's amps are. I've gotta figure out how to blend the 2 gain knobs on the lead channel to get a sound I like and how I want to set the 3 position bright switch on the clean. It sure was nice to have it up a little ways and feel those Greenbacks really breathe from pushing air. It's a different sound all together (I'm going to have to work on my technique to clean up any slop) than playing on the Boss Katana with a modded Marshall patch I use for my daily driver. I forgot what it's like to crank a tube amp, even a higher gain one, and still not get that saturated crunch like is super easy to get from a practice amp. The amp I had on this cab that I recently sold was a 1987X, and even with the Rock Crusher attenuating it, it still didn't get the sound I really wanted, so I sold it to give another amp a shot and we'll try this one out for a while and see what I think.
 

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looks cool, im confused about it not getting saturated though?? what are these based off?
 
looks cool, im confused about it not getting saturated though?? what are these based off?
It just needs a little boost to make the lower notes sound a little heavier. I'm sure if I was able to crank it, it'd be just fine. It sounds much better when jamming with a backing track. I'm still figuring out how to tweak it. I don't think it's based off anything really, but most people say a bit of hotrodded Marshall with a lil Hiwatt thrown in too.
 
Run Crunch gain up to about 2:00-2:30 and dial Drive gain back to 9:30-10:00 or so. Go heavy on presence and light (or off) on resonance. Give it some volume and hit it with a clean boost of some sort (I use an SD1 or mini TS). It will get saturated enough to do anything if it’s like my single channel version.

I’ve tried different tubes and the only improvement was using a Shuagang in the PI.
 
Run Crunch gain up to about 2:00-2:30 and dial Drive gain back to 9:30-10:00 or so. Go heavy on presence and light (or off) on resonance. Give it some volume and hit it with a clean boost of some sort (I use an SD1 or mini TS). It will get saturated enough to do anything if it’s like my single channel version.

I’ve tried different tubes and the only improvement was using a Shuagang in the PI.
I just hit it now and then with my Fulltone Fulldrive 2 and it made the low end a lil crunchier. The chords sound beautiful on it, just the low stuff lacked a tiny bit without a boost, like on Miracle Man, the pedal tone that makes up most of the verse riff. I have a Duncan 805 Overdrive, which from what I hear is supposed to be TS9 based, so I may try it tomorrow since it's much less complicated than the Fulltone.
 
I just hit it now and then with my Fulltone Fulldrive 2 and it made the low end a lil crunchier. The chords sound beautiful on it, just the low stuff lacked a tiny bit without a boost, like on Miracle Man, the pedal tone that makes up most of the verse riff. I have a Duncan 805 Overdrive, which from what I hear is supposed to be TS9 based, so I may try it tomorrow since it's much less complicated than the Fulltone.
I had both the red FDII and the 805. The FD was “OK”, but the 805 was way too polite…..,it’s not going to crunch the lows. I highly recommend the standard (not Waza) SD-1. It does exactly that. FWIW, the SIRROM is going to be better for Miracle Man. The XSIII is very organic and sounds like power tube distortion is going on at all volumes. The SIRROM is more of a preamp cruncher.
 
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