B
braintheory
Well-known member
I made a thread a few months ago about how impressed I was with my Furman PQ3 (I have 2 now) and have since then also been curious about how the 1140 compares. At first I was preferring the Furman, but after a bit of tweaking and figuring the unit out, I now definitely prefer the 1140. It’s inherently more open, articulate, aggressive on powerchords, and the extra controls allow me to dial in things that I can’t quite get with the fewer controls on the Furman. As others have mentioned, it’s also way less noisy than the PQ3
The PQ3 sounds narrower in comparison and has less detail/clarity to the notes. The only things about it I like better than the 1140 is that it has just a little bit more warmth and a certain midrange juiciness to it that I can’t quite match with the 1140, so both are keepers for now. They’re both amazing units overall!
The PQ3 already sent many boost pedals I had packing including the standout, Timmy V1 and Buxom boost. I bet the 1140 would’ve sent ‘em packing even faster if I had it at the time. It’s gonna send several others I have packing now as well. I’ve owned over 100 boost and/or overdrive type pedals over the years (including the most coveted ones) and the only 4 that are staying now are the TC Electronic 1140, Furman PQ3, Coppersound Broadway and original Klon Centaur. All 4 of them sound super organic and like an extension of the amp rather than like a pedal or toy. Most of the others that have come and gone sounded filtered/neutered and toy-like in AB comparisons. The only boosts I’m somewhat interested to try now are the Highwind Direwolf and Nunez Tetra Fet Drive, but I doubt either would be a keeper. If any of you guys aren’t on a budget and want the best of the best for boosts then one of these 4 is the one to get (depending on style/taste), no need to waste time on the others like the standout, dragon, Timmy v1, airis savage, fortin’s, Cusack Screamer, etc, unless you need the practicality of pedals vs a rack unit. They will all sound filtered and uninspiring in comparison, at least that’s how it was for me when I did the AB comparisons.
I’ve found especially with pedals (but with everything really), that vintage gear tends to have a magical, lively quality to it that make 99% of modern gear sound flat and uninspiring in comparison. It’s amazing to me that the Coppersound Broadway is a current production pedal that has some of that vintage mojo. It’s not really well suited towards metal, but can work in some setups
The PQ3 sounds narrower in comparison and has less detail/clarity to the notes. The only things about it I like better than the 1140 is that it has just a little bit more warmth and a certain midrange juiciness to it that I can’t quite match with the 1140, so both are keepers for now. They’re both amazing units overall!
The PQ3 already sent many boost pedals I had packing including the standout, Timmy V1 and Buxom boost. I bet the 1140 would’ve sent ‘em packing even faster if I had it at the time. It’s gonna send several others I have packing now as well. I’ve owned over 100 boost and/or overdrive type pedals over the years (including the most coveted ones) and the only 4 that are staying now are the TC Electronic 1140, Furman PQ3, Coppersound Broadway and original Klon Centaur. All 4 of them sound super organic and like an extension of the amp rather than like a pedal or toy. Most of the others that have come and gone sounded filtered/neutered and toy-like in AB comparisons. The only boosts I’m somewhat interested to try now are the Highwind Direwolf and Nunez Tetra Fet Drive, but I doubt either would be a keeper. If any of you guys aren’t on a budget and want the best of the best for boosts then one of these 4 is the one to get (depending on style/taste), no need to waste time on the others like the standout, dragon, Timmy v1, airis savage, fortin’s, Cusack Screamer, etc, unless you need the practicality of pedals vs a rack unit. They will all sound filtered and uninspiring in comparison, at least that’s how it was for me when I did the AB comparisons.
I’ve found especially with pedals (but with everything really), that vintage gear tends to have a magical, lively quality to it that make 99% of modern gear sound flat and uninspiring in comparison. It’s amazing to me that the Coppersound Broadway is a current production pedal that has some of that vintage mojo. It’s not really well suited towards metal, but can work in some setups