
Charvel1975
Active member
So for a while now I've had a dimarzio super distortion p90 in the bridge of my 1998 Gibson Les Paul Special, I still have the factory p100 and the factory Gibson 300K pots (which I had swapped to new Gibson 500K pots for both volumes & tone controls.) I tried the guitar in drop B tuning (which is what our band is tuned to) with 010-.060 zakk wylde ghs strings but the super distortion just didn't sound right. So after some time had it set back up for half step E tuning with 010-046 strings but was wondering how either of these p90 pickups would work for metal:
1. Seymour Duncan STK-P1 Stacked p90
2. Seymour Duncan Hot SP90-2 or Custom SP903
3. Bareknuckle Pickups 'Pig 90
4. Bareknucle Pickups Supermassive 90
I found somewhere on the SD forum though this:
How hot is the P-100? Well, for comparison purposes, a P-100 has more output than a Gibson Burstbucker Pro, a Burstbucker # 2, a 490R, and/or a 1957 PAF Classic Humbucking Pickup. On the other hand, a P-100 has less output than a Gibson Burstbucker # 3, 498T, 496R and/or a 500T Humbucking Pickup. The P-100 has the same output as a 1957 PAF Classic Plus and a P-94T Pickup.
So it makes me wonder about my factor P-100 too
1. Seymour Duncan STK-P1 Stacked p90
2. Seymour Duncan Hot SP90-2 or Custom SP903
3. Bareknuckle Pickups 'Pig 90
4. Bareknucle Pickups Supermassive 90
I found somewhere on the SD forum though this:
How hot is the P-100? Well, for comparison purposes, a P-100 has more output than a Gibson Burstbucker Pro, a Burstbucker # 2, a 490R, and/or a 1957 PAF Classic Humbucking Pickup. On the other hand, a P-100 has less output than a Gibson Burstbucker # 3, 498T, 496R and/or a 500T Humbucking Pickup. The P-100 has the same output as a 1957 PAF Classic Plus and a P-94T Pickup.
So it makes me wonder about my factor P-100 too