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That's why I love the 4700-5k pF cap. For that 6-8+ range on the Volume where you can dial the cap in and out.Typically, we would crank the amp, then roll back the volume a bit so the bright came effect came on
Yeah, volume is all relative. My old 71 SL did heartbreaker tone around 5-6. Turn it up more with a DOD preamp 250 and it was metal.That's why I love the 4700-5k pF cap. For that 6-8+ range on the Volume where you can dial the cap in and out.
For Marshall 1959 Superleads and Plexi the 5000pF ceramic cap give the aggressive grindy kerrang and bite that Marshall are known for IMHO.
I thought Pete's video was quite on point with what I hear as well.
Here's my 1969 NOS Marshall build that had a 5000pF Mallory Ceramic on a push/pull pot switch. Without the bright cap it is kinda Jake E Leeish like on Badlands dusk more akin to super bass bright channel but it just really comes alive with the 5000pF bright cap. Some people like them dark like a Superbass(no bright cap) but there is a noticeable difference.
The beginning of the video is the amp without the bright cap then at 3:40 I switch in the 5000pF cap, Volume 1 is on 7 and is being pushed by an SRB in SD-1 mode and an 83 Kramer Pacer with an 80's Seymour Duncan Custom pickup nothing else in the signal chain totally dry. The amp is a stock Marshall spec 1969 Superlead with a 50K midpot.
Man that sounds glorious! Well done!
I made this mistake of removing the bright cap on a lot of my old Marshall’s. Live and learn…..Cool vid. I always laugh at threads I see about “you have to remove that bright cap on your Marshall!” that I’ve mostly read on TGP. I tried it once in a 2203, and in my 72.
All it does is neuter the amp. No thanks.
Tried lower values in my 72, still preferred it stock.