mrmega
Active member
Mesa Boogie 3 Channel Dual Rectifier Solo Series head with footswitch, cover and new preamp & power tubes for sale in excellent condition. $1700
Based on this thread from "The Boogie Board" I believe mine is a revision C+. I would rate it at a 9/10. It was just serviced by local amp legend Jim Walton. If you have been in the area for a while, you probably know of him. It has less than 10 minutes playing time since it was serviced.
This is a highly rated and coveted amp.
* I have owned this amp for about 15 years.
* Never gigged it.
* Studio kept. Non-smoking, Pet free environment.
I am just outside of Philadelphia and would prefer to deal with someone semi-local. You are welcome to come pick it up or I am willing to drive 1 hour to meet. I accept Cash & Paypal F&F at time of pickup.
I am open to discussing shipping options.
---------------------------------------
I will consider trades for the following (plus or minus cash depending)
Amp Heads:
1) Marshall Vintage Modern 2266 50-Watt head.
2) Marshall Vintage Modern 2266C 50-Watt combo.
3) Marshall JVM410H head
4) EVH 100-watt EL34S head
5) EVH 100-watt 6L6 Stealth Head
Cabinets:
6) Marshall Vintage Modern 425B Straight cab:
7) Marshall Mode Four Straight Cab (280-watt version)
8) EVH 5150 Cab that matches the EL34 head
Guitars:
9) Gibson "The Paul" with T-Top Pickups - (!978-1982. Not the Firebrand version)
10) Charvel Model 6 with a Kahler
11) 80's Jackson (with a Kahler or Floyd Rose)
12) Jackson with 3 toggle switches for pickup selection (with a Kahler or Floyd Rose).
13) 1964 Gibson Melody Maker (prefer one that needs work as I will be heavily customizing it)
14) Gibson Les Paul's
15) High End 7 or 8 String Electric
Road Cases:
16) EVH 100-Watt Head Road Case
17) Marshall Head Road Case
18) Marshall 4x12 Road Case
19) EVH 4x12 Road Case
Miscellaneous:
20) Gigrig G3
21) Pedals
22) Feel free to let me know what other gear you have for trade too.
Here are the specs:
---------------------------------------
FRONT PANEL:
CHANNEL MODES:
Each of the Rectos’ three channels contain a choice of modes - two in Channel 1 and three in Channels 2 and 3.
CHANNEL 1: CLEAN / PUSHED: CLEAN : This is the lowest gain circuit of the Rectos’ eight modes and is optimized for producing balanced pristine clean sounds. This mode also works extremely well for vintage style drive sounds.
PUSHED: Huge increases in gain early on in the first stages of the pre-amp produce one of the biggest differences between modes in the entire amplifier and transforms it from a tame and gentle clean channel into a raging crunch machine.
NOTE: Though Channel 2 & 3 look identical there is one important difference to understand. The PRESENCE Controls are different between the two channels and this affects how you will find yourself configuring them to best suit your style.
CHANNEL 2 - RAW / VINTAGE / MODERN
CHANNEL 2 is optimized for the original Recto VINTAGE mode with a milder PRESENCE range and a blend of top end harmonics more suited to soloing. This helps RAW sound more vintage and warm as well. This PRESENCE has a slower taper and therefore a more gradual response. This means you have finer resolution for the upper harmonic frequencies which is great for achieving the warmest, fattest single note soloing sounds.
CHANNEL 3 - RAW / VINTAGE / MODERN
CHANNEL 3 is optimized for the legendary MODERN mode with a range of PRESENCE far exceeding that of CHANNEL 2. This channels’ PRESENCE picks up where CHANNEL 2 leaves off and allows top end harmonics that are downright dangerous.
Think of it like this...a Presence setting equivalent to CHANNEL 2’s PRESENCE Control set to 5:30 (maximum), is found in CHANNEL 3 at approximately 10:00 on CHANNEL 3’s PRESENCE Control. This means that the whole range is compressed for these more vocal sounds and the resolution for brighter sounds is expanded.
RAW: This Recto mode is the lowest gain of the three in the two high gain lead channels. Its less saturated nature greatly enhances the already versatile bevy of sounds the two original lead channels offered.
VINTAGE: This high gain mode is the famous liquid Recto voice and it can be found in its original state in CHANNEL 2. Its lush harmonic content and fat creamy feel has found its way onto so many recordings. VINTAGE modes are musical and use natural tube compression. You can swap channels to achieve different voicings of the VINTAGE sound.
MODERN: Aggressive. This is the word that best describes the menacing power of the Rectos’ most rebellious of all modes and appears in its original form in CHANNEL 3. A take no prisoners, crushing assault of top end cut and lightning fast response creates a sound of unparalleled aggression that has set a new standard for hard core sounds. The added tightness of the low end response combined with the radically more present top end keeps the MODERN mode tracking accurately even at extreme gain settings.
SOLO CONTROL: This control can only be activated if the correct Footswitch is connected to the Footswitch DIN jack. SOLO is an additional final output level control wired in parallel with the OUTPUT Control. It is capable of a setting above that of the OUTPUT Control and can not be set below. It has been optimized for live performance volume levels. By using the Footswitch and selecting SOLO, a pre-settable boost in overall levels is possible on the fly...giving you some control over your levels when it’s time to step out.
---------------------------------------
BACK PANEL:
SLAVE CONTROL: This 1/4” jack and control provide a signal derived from the speaker jack. Perfect as a master pre-amp, and additional power amps for more power when needed. Some players use the SLAVE to derive an FX Send Signal and go to other amps for their wet sound.
SPEAKERS: Two 4 Ohm, Two 8 Ohm and one 16 Ohm jack are provided for speaker interfacing.
FX LOOP: (PARALLEL) The Effects Loop of your Recto is probably one of the most comprehensive loops in any amplifier. It is wired in parallel to the dry signal and is comprised of six elements, five on the Rear Panel and one on the Front Panel.
These elements are as follows;
1.) An ASSIGN rotary control that allows you to have any combination of LOOP ON status or completely remove it from the signal path altogether.
NOTE: LOOP BYPASS defeats the Front Panel OUTPUT and SOLO Controls as they are part of the FX RETURN circuit. This tube stage and associated circuitry are omitted when you select LOOP BYPASS. The Channel MASTER Controls become the final output controls in this case.
2.) A SEND LEVEL control that allows matching of levels between the output of your Recto and your processors’ input.
3.) An Effects MIX Control allows a blend of dry and wet signals between 10% and 100%.
4.) A SEND jack that captures the preamp signal and pads it down to accommodate outboard signal processors input stage.
5.) A RETURN jack that accepts the signal from a processors output and boosts the level back up to unity gain (or beyond) to be mixed back into the original signal in parallel with the MIX Control.
6.) An OUTPUT Control (Front Panel) that is the effects return stage level control which also doubles as an overall control for the whole amplifier. This scheme allows the channels levels to be matched to each other and/or fine tuned for a sound and an effects level. Once this is achieved the level of the whole amplifier can be raised or lowered with one control.
NOTE: The FX LOOP RETURN jack can be used as an input to the power amp of your Recto making it possible to use it for amplifying signals derived from other preamps or effects in a stereo set-up.
EXTERNAL SWITCHING JACKS: These jacks allow (usually MIDI-programmed) operation of your amplifier’s functions from an external switching source. In either case, the switching is accomplished by connecting (“shorting”) the jack’s “Tip” to its “Ring” (or ground.
BIAS SWITCH: Your Dual or Triple Rectifier Solo Head was designed to run the stock 6L6 tubes or the British style EL 34.
RECTIFIER SELECT: This patented switchable feature allows you to select between two different types of rectifiers for different sounds and feel.
SOLID STATE: (Hi Power) calls up the silicone diode rectifiers which offer more punch, a tighter attack with added brightness and substantially more headroom.
VACUUM TUBE: (Normal) position. We wanted the Dual Rectifier series to capture that... “thing” that you... “can’t quite put your finger on...but you know it when it’s got it.” Soul, Personality and Feel. The VACUUM TUBE position gives you a sweetness of sound and a liquid feel that simply cannot be duplicated in any other way.
NOTE: On the Dual Solo Head it is possible to run two 6L6 or EL34 tubes pulling the two center tubes, leaving far left and far right tubes intact. This procedure reduces the power by approximately 50%. Remove one of the Rectifier tubes if you are using the TUBE RECTIFIER setting to assure a correct match.
POWER: SPONGY & BOLD The two different power selections are equally important when looking for a particular sound. “SPONGY” works like a built in Variac, reducing all the internal voltages for a true vintage feeling and that extraordinary “brown sound.” Power is reduced somewhat too, making it easier to achieve an overdriven power sound, especially when the RECTIFIER SELECT switch is in the VACUUM TUBE position. Using it in this power setting will also extend tube life and overall reliability, while still producing enough to work many of your gigs...and all of your recording needs!
Based on this thread from "The Boogie Board" I believe mine is a revision C+. I would rate it at a 9/10. It was just serviced by local amp legend Jim Walton. If you have been in the area for a while, you probably know of him. It has less than 10 minutes playing time since it was serviced.
This is a highly rated and coveted amp.
* I have owned this amp for about 15 years.
* Never gigged it.
* Studio kept. Non-smoking, Pet free environment.
I am just outside of Philadelphia and would prefer to deal with someone semi-local. You are welcome to come pick it up or I am willing to drive 1 hour to meet. I accept Cash & Paypal F&F at time of pickup.
I am open to discussing shipping options.
---------------------------------------
I will consider trades for the following (plus or minus cash depending)
Amp Heads:
1) Marshall Vintage Modern 2266 50-Watt head.
2) Marshall Vintage Modern 2266C 50-Watt combo.
3) Marshall JVM410H head
4) EVH 100-watt EL34S head
5) EVH 100-watt 6L6 Stealth Head
Cabinets:
6) Marshall Vintage Modern 425B Straight cab:
7) Marshall Mode Four Straight Cab (280-watt version)
8) EVH 5150 Cab that matches the EL34 head
Guitars:
9) Gibson "The Paul" with T-Top Pickups - (!978-1982. Not the Firebrand version)
10) Charvel Model 6 with a Kahler
11) 80's Jackson (with a Kahler or Floyd Rose)
12) Jackson with 3 toggle switches for pickup selection (with a Kahler or Floyd Rose).
13) 1964 Gibson Melody Maker (prefer one that needs work as I will be heavily customizing it)
14) Gibson Les Paul's
15) High End 7 or 8 String Electric
Road Cases:
16) EVH 100-Watt Head Road Case
17) Marshall Head Road Case
18) Marshall 4x12 Road Case
19) EVH 4x12 Road Case
Miscellaneous:
20) Gigrig G3
21) Pedals
22) Feel free to let me know what other gear you have for trade too.
Here are the specs:
---------------------------------------
FRONT PANEL:
CHANNEL MODES:
Each of the Rectos’ three channels contain a choice of modes - two in Channel 1 and three in Channels 2 and 3.
CHANNEL 1: CLEAN / PUSHED: CLEAN : This is the lowest gain circuit of the Rectos’ eight modes and is optimized for producing balanced pristine clean sounds. This mode also works extremely well for vintage style drive sounds.
PUSHED: Huge increases in gain early on in the first stages of the pre-amp produce one of the biggest differences between modes in the entire amplifier and transforms it from a tame and gentle clean channel into a raging crunch machine.
NOTE: Though Channel 2 & 3 look identical there is one important difference to understand. The PRESENCE Controls are different between the two channels and this affects how you will find yourself configuring them to best suit your style.
CHANNEL 2 - RAW / VINTAGE / MODERN
CHANNEL 2 is optimized for the original Recto VINTAGE mode with a milder PRESENCE range and a blend of top end harmonics more suited to soloing. This helps RAW sound more vintage and warm as well. This PRESENCE has a slower taper and therefore a more gradual response. This means you have finer resolution for the upper harmonic frequencies which is great for achieving the warmest, fattest single note soloing sounds.
CHANNEL 3 - RAW / VINTAGE / MODERN
CHANNEL 3 is optimized for the legendary MODERN mode with a range of PRESENCE far exceeding that of CHANNEL 2. This channels’ PRESENCE picks up where CHANNEL 2 leaves off and allows top end harmonics that are downright dangerous.
Think of it like this...a Presence setting equivalent to CHANNEL 2’s PRESENCE Control set to 5:30 (maximum), is found in CHANNEL 3 at approximately 10:00 on CHANNEL 3’s PRESENCE Control. This means that the whole range is compressed for these more vocal sounds and the resolution for brighter sounds is expanded.
RAW: This Recto mode is the lowest gain of the three in the two high gain lead channels. Its less saturated nature greatly enhances the already versatile bevy of sounds the two original lead channels offered.
VINTAGE: This high gain mode is the famous liquid Recto voice and it can be found in its original state in CHANNEL 2. Its lush harmonic content and fat creamy feel has found its way onto so many recordings. VINTAGE modes are musical and use natural tube compression. You can swap channels to achieve different voicings of the VINTAGE sound.
MODERN: Aggressive. This is the word that best describes the menacing power of the Rectos’ most rebellious of all modes and appears in its original form in CHANNEL 3. A take no prisoners, crushing assault of top end cut and lightning fast response creates a sound of unparalleled aggression that has set a new standard for hard core sounds. The added tightness of the low end response combined with the radically more present top end keeps the MODERN mode tracking accurately even at extreme gain settings.
SOLO CONTROL: This control can only be activated if the correct Footswitch is connected to the Footswitch DIN jack. SOLO is an additional final output level control wired in parallel with the OUTPUT Control. It is capable of a setting above that of the OUTPUT Control and can not be set below. It has been optimized for live performance volume levels. By using the Footswitch and selecting SOLO, a pre-settable boost in overall levels is possible on the fly...giving you some control over your levels when it’s time to step out.
---------------------------------------
BACK PANEL:
SLAVE CONTROL: This 1/4” jack and control provide a signal derived from the speaker jack. Perfect as a master pre-amp, and additional power amps for more power when needed. Some players use the SLAVE to derive an FX Send Signal and go to other amps for their wet sound.
SPEAKERS: Two 4 Ohm, Two 8 Ohm and one 16 Ohm jack are provided for speaker interfacing.
FX LOOP: (PARALLEL) The Effects Loop of your Recto is probably one of the most comprehensive loops in any amplifier. It is wired in parallel to the dry signal and is comprised of six elements, five on the Rear Panel and one on the Front Panel.
These elements are as follows;
1.) An ASSIGN rotary control that allows you to have any combination of LOOP ON status or completely remove it from the signal path altogether.
NOTE: LOOP BYPASS defeats the Front Panel OUTPUT and SOLO Controls as they are part of the FX RETURN circuit. This tube stage and associated circuitry are omitted when you select LOOP BYPASS. The Channel MASTER Controls become the final output controls in this case.
2.) A SEND LEVEL control that allows matching of levels between the output of your Recto and your processors’ input.
3.) An Effects MIX Control allows a blend of dry and wet signals between 10% and 100%.
4.) A SEND jack that captures the preamp signal and pads it down to accommodate outboard signal processors input stage.
5.) A RETURN jack that accepts the signal from a processors output and boosts the level back up to unity gain (or beyond) to be mixed back into the original signal in parallel with the MIX Control.
6.) An OUTPUT Control (Front Panel) that is the effects return stage level control which also doubles as an overall control for the whole amplifier. This scheme allows the channels levels to be matched to each other and/or fine tuned for a sound and an effects level. Once this is achieved the level of the whole amplifier can be raised or lowered with one control.
NOTE: The FX LOOP RETURN jack can be used as an input to the power amp of your Recto making it possible to use it for amplifying signals derived from other preamps or effects in a stereo set-up.
EXTERNAL SWITCHING JACKS: These jacks allow (usually MIDI-programmed) operation of your amplifier’s functions from an external switching source. In either case, the switching is accomplished by connecting (“shorting”) the jack’s “Tip” to its “Ring” (or ground.
BIAS SWITCH: Your Dual or Triple Rectifier Solo Head was designed to run the stock 6L6 tubes or the British style EL 34.
RECTIFIER SELECT: This patented switchable feature allows you to select between two different types of rectifiers for different sounds and feel.
SOLID STATE: (Hi Power) calls up the silicone diode rectifiers which offer more punch, a tighter attack with added brightness and substantially more headroom.
VACUUM TUBE: (Normal) position. We wanted the Dual Rectifier series to capture that... “thing” that you... “can’t quite put your finger on...but you know it when it’s got it.” Soul, Personality and Feel. The VACUUM TUBE position gives you a sweetness of sound and a liquid feel that simply cannot be duplicated in any other way.
NOTE: On the Dual Solo Head it is possible to run two 6L6 or EL34 tubes pulling the two center tubes, leaving far left and far right tubes intact. This procedure reduces the power by approximately 50%. Remove one of the Rectifier tubes if you are using the TUBE RECTIFIER setting to assure a correct match.
POWER: SPONGY & BOLD The two different power selections are equally important when looking for a particular sound. “SPONGY” works like a built in Variac, reducing all the internal voltages for a true vintage feeling and that extraordinary “brown sound.” Power is reduced somewhat too, making it easier to achieve an overdriven power sound, especially when the RECTIFIER SELECT switch is in the VACUUM TUBE position. Using it in this power setting will also extend tube life and overall reliability, while still producing enough to work many of your gigs...and all of your recording needs!
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