
godgrinder
Well-known member
Properly mic'd, not shitty phone recordings.
Not exactly a fair comparison as it's 50W vs 100W and I have different tubes in them. Also:
1. The HR50+ has a 1M gain pot and the SLO has a 500K gain pot. So under the same gain settings, the HR50+ would have a bit more gain.
2. Under the same EQ settings, the SLO has a metric fuckton more treble than the HR.
Both amps can be dialed in to have similar amount of gain and frequency response, but I used the same settings on both amps just to showcase the basic differences.
Settings: Gain 4.5, Bass 4, Mid 5.5, Treb 4.5, Vol 4, Pres 6
(Channel 1 gain on 3. As many of you already know, channel 1 on Soldano amps bleed into channel 2 so the gain setting on ch1 has some influence on ch2.)
Cab: Krank SST412
Speakers: Eminence V12
Mic: Shure SM7B
LPF at 8kHz.
Re-amped from Ola Englund multitracks, taken from the deluxe version of Furor Incarnatus.


Not exactly a fair comparison as it's 50W vs 100W and I have different tubes in them. Also:
1. The HR50+ has a 1M gain pot and the SLO has a 500K gain pot. So under the same gain settings, the HR50+ would have a bit more gain.
2. Under the same EQ settings, the SLO has a metric fuckton more treble than the HR.
Both amps can be dialed in to have similar amount of gain and frequency response, but I used the same settings on both amps just to showcase the basic differences.
Settings: Gain 4.5, Bass 4, Mid 5.5, Treb 4.5, Vol 4, Pres 6
(Channel 1 gain on 3. As many of you already know, channel 1 on Soldano amps bleed into channel 2 so the gain setting on ch1 has some influence on ch2.)
Cab: Krank SST412
Speakers: Eminence V12
Mic: Shure SM7B
LPF at 8kHz.
Re-amped from Ola Englund multitracks, taken from the deluxe version of Furor Incarnatus.