
HellraiserJohnny
Member
I started with a TC M300 in my rack rig and I could not get the Program mapping working with the other units in my rig so I found a G Major 2 which has much easier MIDI program mapping. So I get the thing and I absolutely love the factory pre-sets on any of my clean tones.
Here's the rub, these gorgeous FX loose all that thick depth and tone and sound almost tinny when I change to the distorted patches on my pre-amp. Nothing changes in the signal path. I'm running it though a serial FX loop - single send - stereo return. My pre-amp has 3 FX loops all are independent so I'm not stacking the TC with any other processor. I just can't figure out how these lush chorus and delays loose so much just by adding some grit, doesn't make any sense. None of my other processors do this, it almost seems like it's a trait of the TC units.
I could use some help if anyone has overcome this by tweaking the patches so they still sound "Big" when you add distortion. I do have several other signal paths I can use ( full stereo-serial\Full Stereo-Parallel) but not sure if these would make a big difference.
Here's the rub, these gorgeous FX loose all that thick depth and tone and sound almost tinny when I change to the distorted patches on my pre-amp. Nothing changes in the signal path. I'm running it though a serial FX loop - single send - stereo return. My pre-amp has 3 FX loops all are independent so I'm not stacking the TC with any other processor. I just can't figure out how these lush chorus and delays loose so much just by adding some grit, doesn't make any sense. None of my other processors do this, it almost seems like it's a trait of the TC units.
I could use some help if anyone has overcome this by tweaking the patches so they still sound "Big" when you add distortion. I do have several other signal paths I can use ( full stereo-serial\Full Stereo-Parallel) but not sure if these would make a big difference.