braintheory
Well-known member
Looks like we had very similar amps that sent the Driftwood packing. For me, it was a Gower Rockmonster and Mesa/Boogie Mark IIC+ HRG, although I sold the Rockmonster not long after. I think that toy like quality you’re referring to is what I mean when I say how most amps made today sound filtered/organic compared to older amps. The Omega and Fortin stuff I’ve tried sounds every bit as toy like and if you listen for it, you can also hear it in the clips. The Dover, on the other hand, I didn’t really notice that and just sounded very good to metstern66":249xb1rd said:braintheory":249xb1rd said:I used to own a Driftwood Purple Nightmare. Honestly, I thought it was just ok to decent sounding and it got completely smoked by things like my iic+, modded Marshall’s and Wizard. It sounded polite and restrained in comparison to those amps and not as big sounding. I can see though it recording well since it had a pretty balanced voicing from what I remember, but I don’t think it would hold up too well next to your amps. I can guarantee you that your wizards will sound way bigger, more raw and move lots more airmhenson42":249xb1rd said:Great videos! I agree about the cleans....ZFG. If I could buy just single channel amps without clean channels for less $ I'd be happy.
Now I have GAS for the Omega and Driftwood on top of the EP!. Did you get any videos of the Dover amps?
My friend has an Omega Obsidian, so I’ve tried that a bunch of times, but haven’t tried the other one from that video. I thought it was a very nice amp overall, especially in its range price range, but again my iic+ and 2 Cameron modded Marshall’s were at least 2 leagues above it when compared side by side. It again sounded filtered/sterile in comparison, not as big/wide, lively, raw or growly/pissed as my amps in comparison. It was tight for sure, but there are tighter amps out there still. I think guys who like the Fryette stuff may like it a lot because it has also a tight and dry thing going on and some similarities in feel, but for me it was a pass, too sterile/filtered, kinda like having a juice from concentrate rather than fresh squeezed. Just my 2 cents though, not trying to be a party pooper or kill the hype, just my opinion. Others may not agree, but I think side by side comparisons can reveal a lot and imo are more telling than just hearing an amp sound great in isolation
The amps from NAMM I’m curious about are the Friedman Jake E Lee and Fortin’s, but my expectation is still that I still won’t like them as much as my all time favorite high gainers. It’s nice to finally see a Friedman that could have that more upper middy Marshall quality
I agree about the Driftwood. I just sold mine that I had for only a short time due to getting a Gower Killer Kali. The Driftwood sounded like a toy in comparison. I also recently got a Mark iii blue stripe and that thing just destroys any newer amp I’ve owned. I really wanted to like my Driftwood, but it just couldn’t hang with the other amps I have, so I sent it packing.
The only boutique builder I’m interested in now is KSR. They seem to be the real deal.
Also, why is the new Fortin stuff so much cheaper now?
The KSR Gemini I had, I for sure preferred to the Driftwood, but again not the most organic sounding amp and I felt my modded Marshall’s I had, including the Gower, sounded a lot better and more lively. I don’t think the KSR stuff would last long with the stuff you’ve got. I also had way too many amps to count that got sent packing fast from my mark iic+. The Mark III are also great
The only recent made high gain amps I’m keeping for now are my Wizard MTL and Cameron CCV. They’re still not my all time favorites honestly, but have certain unique tonal qualities that made them stay a while. The only current high gain makers on my radar now is just Larry, Dover and somewhat curious about the new Jake E Lee Friedman, but doubt it’ll really hold its own against a good older Marshall (modded or stock)