FourT6and2
Well-known member
Bad.Seed":10xh1upg said:FourT6and2":10xh1upg said:Bad.Seed":10xh1upg said:racerevlon":10xh1upg said:I have a Chupa 50. No more noise than any other amp. Give your tubes the chopstick test for microphonics.
That was the first thing I tried, and I didn't get anything through the speakers with the volume turned up quite loud.
I may just send my tech to this thread and hand the amp over to him. I love this amp, but can't use it with any of my guitars with covered pickups, it just seems to be way to quick to feed back.
How are you EQ'ing the amp? Are you running the thing with all the bright switches engaged at once?
If my memory serves me right, both bright switches are flipped left, in 80's mode. One of the gain pots is up 3/4 of the way, the other is at noon and pulled out. The pussy trim is at 1 oclock or so, BMT is 6-6-3
There's your problem. The bright switches are large value caps. 4700pF each. With both engaged you're going to get a lot of hiss... They boost the gain in those upper mid and treble frequencies. Ceriatone really shouldn't have given users the option to run both simultaneously. They did it a little better in the Yeti since they cut the value of those caps in half. So you can run both at the same time to equal the same value as just one on the Chupa.
You shouldn't need to run two bright caps. Try this to see if it reduces your noise issues but keeps the same amount of gain/feel:
Gain 1: Pulled out, 1:30 - 2:45
Bright 1: Center (off)
Gain 2: 11:00 or so
Bright 2: Left (mid boost)
Pussy trim: 100%
B/M/T/P/D to taste
The key here is to only use one bright switch and run its corresponding gain below 12:00. As you turn up the gain control, its bright switch has less and less of an effect. Then you run the other gain control higher to compensate. Think of it in terms of a "dark" gain and a "bright" gain instead of Gain 1 and Gain 2.