Cornfordcrunch
New member
The older I get, the less low end I use in my guitar sound. When recording, I typically hi-pass at 100 or even a bit higher sometimes and it seems most sound engineers do roughly the same in a live environment to keep guitar out of the subs. Like a lot of us here it seems, I nod to the VH, Scorps, Warren D, Ronnie LeTekro thing etc...plexi/modded plexi sounds.
Over and over I see people talking about the "huge bottom" a particular amp/cab has. Even with extended range guitars I would think the same rules apply as far as staying within your space in the sonic spectrum...getting out of the bass player/kick drum space...etc with regard to low end.
What am I missing? Is this monster low end mostly for home playing alone? Playing in clubs where only the vocals are carried by the PA? Im not trying to be a dick, I'm curious if my approach is skewed.
Over and over I see people talking about the "huge bottom" a particular amp/cab has. Even with extended range guitars I would think the same rules apply as far as staying within your space in the sonic spectrum...getting out of the bass player/kick drum space...etc with regard to low end.
What am I missing? Is this monster low end mostly for home playing alone? Playing in clubs where only the vocals are carried by the PA? Im not trying to be a dick, I'm curious if my approach is skewed.