To be honest, Kotzen is the only guy who I thought was in Becker's league back then.Maybe u need to listen to Jason again....
Shawn Lane.
His solo releases were on Warner Bros. though.
He did some compilations with Shrapnel.
To be honest, Kotzen is the only guy who I thought was in Becker's league back then.Maybe u need to listen to Jason again....
Shawn Lane.
There are definitely days I would agree with you. Sometimes I think Jason Becker might have come to be regarded as the best player ever had he had more years to create music and mature even more musically.I took leassons from Becker, he smokes anyone who ever signed with that label by a country mile....
That tone is very bees in a can though. His playing definitely needs a more woody tone imo rather than so digital sounding
Most used the same Peavey Butcher amp to record if I remember correctlyPretty much all the Shrapnel records back then sounded like bees in a can lol
Vinny Moore
I'm pretty sure they used Prairie Sun in Cotai Ca ? The studio is still there, they have a FB page, VERY well appointed studio.Shrapnel recordings are legendary for being horrendous. Almost like they stacked two DS-1's and went direct to the board. Still amazes me listening back to these that they couldn't take 5 min to place their mics on the cab. Also those boxy drums. Does anyone have a picture of " Shrapnel Studios" ? Or were they renting a few diff places? They sure as hell knew nothing about recording the source or mixing. I almost think that the label and the studio were run out of a two bedroom bungalow or something. No treatment on walls, drums recorded in the living room. Obviously tongue in cheek, some of the recordings were all right ( Vinnie Moore) but all suffered from horrid drums.
Extra credit. Anyone remember David " T" Chastain?? Man that album sucked. They def had some stinkers in their catalogue too.