Celestion H75 Creambacks vs M65 Creambacks

Maybe they're a very good fit with the cab, amps and pickups used, hard to say. What I mean at least by hollow mids is like this neutral, smooth voicing to them where they don't have much grind, growl or have as much personality to them like the midrange you'd hear in Wizard's, Hiwatt's, VHT/Fryette's, Fane speakers, a Strat bridge pickup. Sorta similar sound to out of phase mics in a way. It sounds like from what you said you heard more aggressive midrange in M magnet spearers like the M65's or Ted's '70's Creamback 25's. That more aggressive midrange to me is Celestion's real forte over other brand speakers. For strong lows or highs I find Fane, JBL or Altec to be much more, but even more hollow mids

That's the confusing part to me. My H75s have a more grinding, full mid-range than any M-magnet speaker I've tried and also compared to Ted's M25 Creambacks. You should be able to hear the difference in all the clips I posted recently. My Bogner cab with the black grill has the H75s and the Marshall cab without a badge has the vintage M25 Creambacks.
 
That's the confusing part to me. My H75s have a more grinding, full mid-range than any M-magnet speaker I've tried and also compared to Ted's M25 Creambacks. You should be able to hear the difference in all the clips I posted recently. My Bogner cab with the black grill has the H75s and the Marshall cab without a badge has the vintage M25 Creambacks.
I’ll have to watch the clips again. I wasn’t paying attention at all actually to the cabs used now that I think about it lol

Also, there can be different ways of describing sound. If you compare M and H magnet celestions in the same cab or better yet IME isolated not in a cab, it’ll at least expose their characteristic sound differences
 
I highly recommend the 20w Greenbacks. I like them so much more than the 25w versions. No nasal/bloated mids than some complain about, much tighter, faster and more aggressive, just not as fat, leaner low end, but overall I like them so much more. Since Bogner cabs generally have pretty good thickness to the sound it could be a good fit

Can you elaborate more on the mids of 25W? I run a quad of 25W and when WELL broken in they do scooped just fine. My slant gets very little if no playtime but I always attributed the mid difference to the slant cab itself.
 
I really like the H75 and 70w UK v30 in 8ohm but am not a fan of either in 16ohm. I have a peavey vtm 4x12 with 2 H75s x 2 EVM 12L (80s) that sounds awesome as well as an early mid 2000s mesa os 4x12 with the stock 70w v30s. The highs get weird in 16ohm for both speakers in my experience but I don’t have much experience with them since side by side I greatly prefer the 8ohm cabs. Ive also never tried the m65 in 8ohm or the h75 in 16ohm so I can’t really comment on the differences there.

It seems to be a bit unpopular but the h75 (at least in 8ohm) I think is great.
 
Can you elaborate more on the mids of 25W? I run a quad of 25W and when WELL broken in they do scooped just fine. My slant gets very little if no playtime but I always attributed the mid difference to the slant cab itself.
Which version 25w GB’s do you have? At least with the pulsonic pre-rola ones I had and iirc Chinese made 25w GB’s I find they had this inherent mid hump that to me sounded kinda nasal/congested, a bit bloated like the sound Metallica got on RTL in some ways if that makes sense. Raceher4U described them as sounding like they have a cold and I get what he means there. They did get along with some amps well though and I guess if I played a scooped amp with them they could work with that fine, but just much prefer the grindier midrange of the 20w versions and also much tighter and faster. Maybe your slant cab and whatever inherent voicing it has just works well with them, can’t say
 
Which version 25w GB’s do you have? At least with the pulsonic pre-rola ones I had and iirc Chinese made 25w GB’s I find they had this inherent mid hump that to me sounded kinda nasal/congested, a bit bloated like the sound Metallica got on RTL in some ways if that makes sense. Raceher4U described them as sounding like they have a cold and I get what he means there. They did get along with some amps well though and I guess if I played a scooped amp with them they could work with that fine, but just much prefer the grindier midrange of the 20w versions and also much tighter and faster. Maybe your slant cab and whatever inherent voicing it has just works well with them, can’t say

Whatever comes in AX and BX reissue cabs. I assume UK ones since they’re so damn expensive but I have no idea.
 
That's the confusing part to me. My H75s have a more grinding, full mid-range than any M-magnet speaker I've tried and also compared to Ted's M25 Creambacks. You should be able to hear the difference in all the clips I posted recently. My Bogner cab with the black grill has the H75s and the Marshall cab without a badge has the vintage M25 Creambacks.
Listening to the clips there again on your thread with the amp and what I think I hear is a nasal mid hump in the 25’s, more narrow sound. The Bogner H75 cab sounds to me there more punchy, tight, robust, wider without that smeared mid hump. At least in the clip I like the Bogner cab a lot more there. More aggressive

IME having played other examples of those cabs in person (not those exact ones obviously), those cabs themselves also have very different sounds from each other that I think is a decent part of it too. I’d think the Bogner cab itself likely would have a more punchy, robust kinda sound and likely the Marshall more warm and vintagey, maybe a little saggier. At least that’s how it seemed of the ones I’ve played in the same room. In general most 25 versions aren’t my cup of tea. I like 20’s. No nasal mids like 25’s or hollow mids like H mag’s
 
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Whatever comes in AX and BX reissue cabs. I assume UK ones since they’re so damn expensive but I have no idea.
I admittedly didn’t pay attention in the past to whether the many different GB loaded cabs I’ve played in the past were Chinese or UK versions and not sure how different they sound from each other. I’d just say you’d have to compare 20 and 25w versions. You might describe it or hear it differently then me, but I think would at least see where I’m coming from
 
Every H speaker I have tried with the band sucks. The highs get lost in the cymbals and lows get lost with the bass and kick. Very scooped midrange leaves nothing left to try fitting the guitar. Probably great for playing alone. Even the Redback needs mixed with a v30 to fill in the mids. Lows and highs are good but the scooped midrange is a drag.

My M65 is 8 ohm and very much like a higher powered greenback that isn’t scooped like a typical 25 watt gb. Works good with the band.
 
I found the H75 to be really hollow in the mids with a lot of highs. It sounded really off to me paired with a redback in a 2x12. Ultimately swapped it for a well broken in V30.

Ive got V30/Neo creams in a 4x12 that have a full EQ with the right amount of mids. The neo creams are somewhat like the best parts of the m65/h75 in one speaker. Being a neo magnet it does have a slight spike in the high mids but it sounds great in the room
 
Every H speaker I have tried with the band sucks. The highs get lost in the cymbals and lows get lost with the bass and kick. Very scooped midrange leaves nothing left to try fitting the guitar. Probably great for playing alone. Even the Redback needs mixed with a v30 to fill in the mids. Lows and highs are good but the scooped midrange is a drag.

My M65 is 8 ohm and very much like a higher powered greenback that isn’t scooped like a typical 25 watt gb. Works good with the band.

I found the H75 to be really hollow in the mids with a lot of highs. It sounded really off to me paired with a redback in a 2x12. Ultimately swapped it for a well broken in V30.

Ive got V30/Neo creams in a 4x12 that have a full EQ with the right amount of mids. The neo creams are somewhat like the best parts of the m65/h75 in one speaker. Being a neo magnet it does have a slight spike in the high mids but it sounds great in the room

See this is the exact opposite of my experience. My H75s are anything but scooped. They have more of a mid-range bark/growl than any other speaker I've tried—including V30s, M25 Greenbacks, H30s, Scumback BM75, CL-80, G12-65, G12T-75, and now the M65 Creamback. To my ears, the T-75 is the most scooped, thin, fizzy of the bunch.
 
See this is the exact opposite of my experience. My H75s are anything but scooped. They have more of a mid-range bark/growl than any other speaker I've tried—including V30s, M25 Greenbacks, H30s, Scumback BM75, CL-80, G12-65, G12T-75, and now the M65 Creamback. To my ears, the T-75 is the most scooped, thin, fizzy of the bunch.
Sounds like it’s for whatever reason working very well in your setup. Is your cab an Ubercab or regular Bogner 412? Fwiw, I’m not crazy about most of those speakers mentioned, although I like the T3210 version G12-65’s. I agree fully on T-75’s, but the first vented version ‘80’s T-75 sounds to me more like a higher powered Greenback. Similar-ish ballpark to the T3120 G12-65’s I like
 
See this is the exact opposite of my experience. My H75s are anything but scooped. They have more of a mid-range bark/growl than any other speaker I've tried—including V30s, M25 Greenbacks, H30s, Scumback BM75, CL-80, G12-65, G12T-75, and now the M65 Creamback. To my ears, the T-75 is the most scooped, thin, fizzy of the bunch.
Go with your experience. If they are working for you and you are liking them, that is what matters. Random people’s opinions are just that ime. My experience is only with pre rola H30’s, anniversay h30’s, redbacks and wgs reaper ( h30 copy). For me they all had that same tone.
When using the h30 at a gig, I lterally had my bass and treble on zero and mids cranked and still could not hear the guitar on stage.
Me and a buddy both have 60’s Marshall cabs, his pre rola h30 and mine pre rola 20 watt t1511 014 cone gbs ( my favorite speaker). We had them side by side one day plugged into my amp. His cab very scooped in comparison.
When I was deciding between the m and h speakers, listened to alot of different comparisons and kept hearing that same quality in the H. I picked the M. Not my favorite speaker, but it is pretty good.
The T 75 is a weird speaker. My buddy has a marshall cab with them. He always sounds great with them, all he has ever had. I never have much luck with them, but can eventually get them to work with enough knob fiddling.
 
Every H speaker I have tried with the band sucks. The highs get lost in the cymbals and lows get lost with the bass and kick. Very scooped midrange leaves nothing left to try fitting the guitar. Probably great for playing alone. Even the Redback needs mixed with a v30 to fill in the mids. Lows and highs are good but the scooped midrange is a drag.

My M65 is 8 ohm and very much like a higher powered greenback that isn’t scooped like a typical 25 watt gb. Works good with the band.
You're saying that H mags have a very scooped midrange, then say you have to mix probably the most recorded H magnet Celestion ever (V30) to add mids to another H magnet speaker?

To my ears the G12H-75, the V30, the OG G12H-30 75hz, the Heritage G12H30 75hz, and the 70th Anniversary G12H30 all sound so close in general EQ terms it's nuts how much I love some, love/hate some, and just flat out can't stand some.

The OG G12H30 75hz and the Heritage version of that same speaker are possibly to probably my favorite Celestions ever. Definitely tied with the G12H30 55hz, and slightly edging out the G12-65 55hz. Yes they have bigger and tighter bottom end, yes they have more brilliant highs, but man that woody midrange grind they have is just wicked. They get really vocal for leads when pushed, but retain the punch and cut needed for rhythm.

The Creamback 75 retains much of that tone, but there is a notched kinda nasel quality to every clip of them I have heard that has turned me totally off from buying them to try out.

I've had 3 different makes of V30. Bogner V30's, Mesa V30's, and early '90s Marshall Vintage speakers. The Bogner and Mesa were my love/hate relationship. I loved them clean, and into midgain and some high gain tones. But when pushed hard they get sloppy in the lows, and piercing in the upper mids and treble. However I have nothing but love for the early Marshall V30's. They were somehow brighter and tighter, but not harsh/piercing. The transition to breakup was also much smoother. I think it's because of all the V30's I owned they had by a large margin the lightest edge doping. I mean barely any.

I loath for anything but clean tones the Anniversary G12H30. Cold, piercing, just blech to my taste. 🤮 I had them in a Friedman 412/15, and could not pull them out fast enough. I replaced them with the OG Marshall Vintage speakers and was much happier with that cab after.
 
See this is the exact opposite of my experience. My H75s are anything but scooped. They have more of a mid-range bark/growl than any other speaker I've tried—including V30s, M25 Greenbacks, H30s, Scumback BM75, CL-80, G12-65, G12T-75, and now the M65 Creamback. To my ears, the T-75 is the most scooped, thin, fizzy of the bunch.

Honestly it could be that the cab and speaker were both brand new. My room is treated fairly well but I may not have adjusted to it. There was also a nasal spike to it that I just couldn't get along with. It could very well be that I dont like how it blends with the redback. I may pull the redback out and mix the v30/h75 and try it again
 
You're saying that H mags have a very scooped midrange, then say you have to mix probably the most recorded H magnet Celestion ever (V30) to add mids to another H magnet speaker?

To my ears the G12H-75, the V30, the OG G12H-30 75hz, the Heritage G12H30 75hz, and the 70th Anniversary G12H30 all sound so close in general EQ terms it's nuts how much I love some, love/hate some, and just flat out can't stand some.

The OG G12H30 75hz and the Heritage version of that same speaker are possibly to probably my favorite Celestions ever. Definitely tied with the G12H30 55hz, and slightly edging out the G12-65 55hz. Yes they have bigger and tighter bottom end, yes they have more brilliant highs, but man that woody midrange grind they have is just wicked. They get really vocal for leads when pushed, but retain the punch and cut needed for rhythm.

The Creamback 75 retains much of that tone, but there is a notched kinda nasel quality to every clip of them I have heard that has turned me totally off from buying them to try out.

I've had 3 different makes of V30. Bogner V30's, Mesa V30's, and early '90s Marshall Vintage speakers. The Bogner and Mesa were my love/hate relationship. I loved them clean, and into midgain and some high gain tones. But when pushed hard they get sloppy in the lows, and piercing in the upper mids and treble. However I have nothing but love for the early Marshall V30's. They were somehow brighter and tighter, but not harsh/piercing. The transition to breakup was also much smoother. I think it's because of all the V30's I owned they had by a large margin the lightest edge doping. I mean barely any.

I loath for anything but clean tones the Anniversary G12H30. Cold, piercing, just blech to my taste. 🤮 I had them in a Friedman 412/15, and could not pull them out fast enough. I replaced them with the OG Marshall Vintage speakers and was much happier with that cab after.
No I said H speaker. The ones I tried (very few) they all sounded very scooped to me. If you like them and they sound good to you, cool.
I generally do not like v30 speakers. No lows or highs, once broken in just a dull midrange sound. But I do have a 92 Mesa cab loaded with them that sound and record great. Also one I picked up new a couple years ago that sounds pretty good.

Also I am using 212’s now to gig with, trying to find speakers for a 212 has been challenging.
 
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Every H speaker I have tried with the band sucks. The highs get lost in the cymbals and lows get lost with the bass and kick. Very scooped midrange leaves nothing left to try fitting the guitar. Probably great for playing alone. Even the Redback needs mixed with a v30 to fill in the mids. Lows and highs are good but the scooped midrange is a drag.

My M65 is 8 ohm and very much like a higher powered greenback that isn’t scooped like a typical 25 watt gb. Works good with the band.
The redback is pretty scooped so I could see why it gets lost, it's similar midrange-wise to the T75 but has no grit so it just disappears. I didn't like my pair at all (8-ohm) so I sold them to a guy locally that wanted some smooth speakers.

Honestly it could be that the cab and speaker were both brand new. My room is treated fairly well but I may not have adjusted to it. There was also a nasal spike to it that I just couldn't get along with. It could very well be that I dont like how it blends with the redback. I may pull the redback out and mix the v30/h75 and try it again
I had a 2x12 with a V30/H75 combo when the creambacks were released and it was pretty great, it was an 8 ohm mesa v30 but with all the videos recently I'm not sure that makes that much of a difference lol.
 
Just tried the M65s with my Hiwatt and it's not bad actually. That amp is tight as all hell and quite bright, so the softness of the M65s kind of evens it out. Will need to really crank it though. This was at apartment-living volume. Loud enough to shake the floor, but not quite loud enough to get the amp/cab breathing.
 
I dig the M65 Creambacks but dislike the H version. I hate the G12H30 Anniversary speaker as a reference.
 
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