Khole Audio - Cab Shootout, 1x12 up to 6x12. Alternative title "The power of Post-EQ"

TheGreatGreen

TheGreatGreen

Well-known member
This video is a shootout exploration of different numbers of speakers per cab and what happens when you change them. Four cabs tested:

1x12
2x12
4x12
6x12

Incidentally, the video ALSO shows Khole messing around with some post-EQ in his DAW in real time, and it's about as good of an example as I've seen of just how massively influential post-EQ can be for your tone. It cannot be understated, really. I've said it before but if I could only have two pedals on my board, I'd have two EQ's, one to use as a boost before the amp and another in the loop to fine tune the overall EQ signature.

 
I was thinking a 4 x 4 (16x12), since it is the next symmetric size.
Dbg27UQ.jpeg
 
This video is a shootout exploration of different numbers of speakers per cab and what happens when you change them. Four cabs tested:

1x12
2x12
4x12
6x12

Incidentally, the video ALSO shows Khole messing around with some post-EQ in his DAW in real time, and it's about as good of an example as I've seen of just how massively influential post-EQ can be for your tone. It cannot be understated, really. I've said it before but if I could only have two pedals on my board, I'd have two EQ's, one to use as a boost before the amp and another in the loop to fine tune the overall EQ signature.




One thing I’ve wanted to try and never have is mix a song as I would, and then make those same moves with an eq in the loop instead of in post and see what the difference is
 
One thing I’ve wanted to try and never have is mix a song as I would, and then make those same moves with an eq in the loop instead of in post and see what the difference is

That would be a cool idea, yeah.

Along a similar line, anything I can do that lets me tweak gear while I'm not actively playing helps me get closer to where I ultimately want to be. A lot of the time if I'm going to record something, I'll record a direct guitar track, then tweak the amp and the post-EQ while my direct guitar loops through it.

It makes a huge difference I think. When I pick my guitar back up and play through that same tone, it feels weird at first, usually not something I'd have dialed in while I was playing, like it's often less gained out and more exposed feeling than the big security blanket of compressed distortion I'd have wanted to dial in, hah, but I get used to it pretty quick and it sounds better in the end.
 
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