
Simon Dorn
Well-known member
That's maybe interesting for some...
In german i would write: "Das freut mich", but the translation "That pleases me" sounds a bit off to me.that was pretty awesome man, thanks for posting that. Makes sense now why tightening up those old Marshall 1960 cabs makes such an improvement.![]()
I never played one to be honestIf it doesn't say VHT or Fryette on it![]()
Do you? What about a Silent Film?Now I need videos to tell me what sounds good. It's weird.
I guess if I was born without functioning ears, then yeah, some amp yapper on a video might be helpful I guess.Do you?
I envy youI never played one to be honest![]()
I would go so far and say: No 1960B Cab (for example) sounds the same. Actually nothing sounds the same. It's a bit different i every case.Steven is such a wealth of information. Tone is such a complex, interactive journey that can be humbling and frustrating. Like many, I started out thinking the guitar had to be the most important - because that's all I could afford to care about. I then became obsessed with amps and thought I had it all solved - until multiple amp techs confided that the most impactful piece of the signal is, in fact, the speaker. After having multiple cabs and experimenting with myriad speakers, I now know how many amps and guitars I hated because I had them going through the wrong speakers.
But of course, I thought the actual cabs themselves couldn't possibly have an impact - it's just freakin plywood! But unfortunately, it does, and nice to see Steven explain why. I have eight 4x12s to experiment with. I can put the exact same speakers in two different builders' cabs, through the same amp and guitar, and it will sound different in each. And one usually sounds much better than the other. Ugggh. The quest continues.
So the Clip isn't useful to you. Fair enough. Why do you comment?I guess if I was born without functioning ears, then yeah, some amp yapper on a video might be helpful I guess.
Is it that bad? I tried a SigX. That doesn't count i guess?I envy you
Because it's weird to me that people need videos to tell them what sounds good but I guess if your company is making cabs it's a great way to sell someone something. *shrugsSo the Clip isn't useful to you. Fair enough. Why do you comment?
Well they're got their fans but I'm not one of them. Even with good Celestions I find them very sterile and blunt (no bloom at all). Sure they're very tight but at the expense virtually all warmth. And a nice Marshall cab is tight enough for 99% of applications. Put it this way, if the VHT FatBottom 4x12 is 50% tighter than a Marshall cab, it's also 75% less warm and woody at the same time. So the trade off ends up in the negative IMO.Is it that bad? I tried a SigX. That doesn't count i guess?
The technical/constructional side of things can be interesting for some. No one has to agree with what they are telling.Because it's weird to me that people need videos to tell them what sounds good but I guess if your company is making cabs it's a great way to sell someone something. *shrugs
Makes sense. The Sig X is also a bit stiff and dry. And not saturated at all.Well they're got their fans but I'm not one of them. Even with good Celestions I find them very sterile and blunt (no bloom at all). Sure they're very tight but at the expense virtually all warmth. And a nice Marshall cab is tight enough for 99% of applications. Put it this way, if the VHT FatBottom 4x12 is 50% tighter than a Marshall cab, it's also 75% less warm and woody at the same time. So the trade off ends up in the negative IMO.
Have you heard a JAMES TYLER GUITAR through a MESA cab before?It's definitely the CAPITAL LETTERS that make the GUITAR CAB sound GREAT