I just don't understand the business strategy if it is hypothetically $100K. You can sell 1 guitar for $100K to a very, very limited pool of buyers or 20 $5K guitars to a broader group of buyers (albeit still limited as not every guitar player is willing to spend $5K on a guitar), 50 at $2K etc...
I pair my Axe FXIII with Yamaha HS7s and I was blown away when I first set it up. I'd like to move up a bracket and get some better monitors but these are great value monitors in my opinion. But then again i'm always chasing for the next best thing jsut for the sake of it.
That is quite a bit more. I always thought the MTL had a lot of gain. I'd be curious to know what the HR does that the MTL can't. Curious to see what folks around here say as more and more people try out the HR.
I should have clarified I currently have both an LP Standard with the 60s neck and an Adam Jones LP Standard. Just looking for a single cut that is a bit more shred friendly.
Ya I'd say anything up to the old ESP standard / E-II range. Not sure i'm willing to go up to the ESP USA, Original Series, or Custom line.
Thanks for the suggestion!
Hey all,
I'm curious about the ESP eclipse, I currently have a Gibson LP standard with the 60's slim neck but i'm looking for a single cut that's a bit faster and can go a bit heavier (given a lot of the eclipse have EMGs in them) and I prefer an ebony board. I owned an LTD KH-602 in the past...
I have the Tri-Avatar Chorus. It is probably my favourite chorus pedal I've ever tried. I can't say enough good things about it. That being said, I couldn't get along with the Future Factory but could be because I usually play in mono, from what I saw told the Flight Time is better for that.