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have you no shame? diezel dungeon power!

no man. you guys are totally over-analyzing. black metal is not an art it's a plague and it's going to be defunct soon. djent and jazz is where it's at. peace it out and we shall see the Angel of the Lord soon. ebola crisis.

I've dropped the 6th string to drop A on a les paul with distortion and loud and never seemed to harm the speakers in the gflex 212 cab.

new motto of the year. i like that. kalak style.

"I'm a longtime Mesa Boogie fan, so I'm using Road King as a main sound. We mix it with Diezel Herbert. " somewhat old circa 2009 interview: http://www.blabbermouth.net/news/behemoth-issues-studio-update/ what are they using now live? I find black metal somewhat radically horrible but some of...

I run a chorus + delay G major patch in the parallel loop with the knob around 75%. anybody else?

the einstein has so much bass/depth on tap that it's really actually designed for bass. if you don't believe me compare it to the 2205 head that Tom Morello uses, that has no bass...

always wondered why bass uses smaller speakers, seems counter-intuitive to me. i'd imagine you'd want to be running 4x15" spkrs.

exactly what i do when i watch behemoth videos on youtube. what the hell is that black metal music anyways??? those spiked leather wristband things they wear on their forearms? seems amateurish....

exactly. how can we achieve the goat level without the bass and depth max'd out? dungeonwhereitsat.com crank it and palm mute E5

"it's evil distorting what's good. What is more tender and beautiful than a mother and a child? So the Devil takes that and distorts it just a little bit. Instead of a normal mother and child you have an androgynous figure holding a 40-year-old 'baby' with hair on his back. It is weird, it is...

yeah i know you just turn down the depth and the bass to zero. it works for me. remember that disturbed black cloaked character without the eyebrows in the passion (of the christ) movie by mel gibson? satan? i bet he/she/it plays thru diezels with the depth knob max'd out. pure dungeon...

the gflex definitely puts out more defined and authoritative low end than any other cab I've used. it's great for hard rock and metal...

i have a half open-back 412 old school 80s/90s mesa cab and the gflex seems to have decent midrange in comparison with a Les Paul. you could always crank the mids and turn down the bass on the EQ as well...

please cite an example of "doom". sounds intriguing. is that the stoner type metal? behemoth is kinda scary! lol

I've had my Genz Benz G-flex 212 cab (ported and baffled) for about 10 years. I can use a single 12" at 8 ohms or both (4 ohms or 16 ohms). I can also run my S120 in stereo with two 8 ohm jacks. There is an extension jack but I've never used it. Plenty of bass and great for hard-rock and...

turned the bass to zero and the deep to zero and approached more marshally sounds with OD808 in front.

I had a RK amp whose head shell broke in transit (UPS) and I filed a claim for the insurance and the paid for the new headshell (it was a custom purple suede so approx. $750). Was a major pain in the ass and took a couple weeks iirc. Tubes breaking in transit are hit and miss, sometimes...

what impresses me is that massive sound really. it's badass and heavy in a non-metal way.

"While he recently acquired an absolutely pristine vintage model that he can't seem to put down, his long-time main axe is a cherry red Korean model that he added a Bigsby to." http://tonereport.com/blogs/rig-report/gary-clark-jr-reluctant-gearhead/page/two