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Was wondering who does the best modification to stock modules. Just started looking into these and have only found Salvation mods so far.

Opinions on these amps and their modules.... Watched a video of Dave working on a module for Lynch and started checking these out. Some of the Salvation sound cool. Any opinions? Apologize if this is the wrong forum... don't get mad everybody. Versatility is why I am curious.

Is this something that can be handled with a mod(by a tech tinkering with it)?

Could you explain the diode clipping thing?

how many companies make modules for these amps?

So your saying I probably wouldn't miss my JCM 800 if I had one of these? Is the Randall clearance stuff still relevant? Will I have trouble finding modules or is it just other companies are making modules now instead of just Randall.

Thinking about dumping my JCM 800 2203 for something new and more versatile. Just started paying attention to these Randall heads with all of the module capabilities. Would like some feedback on these amps.... So far the Blackface, Malcolm, and GTO are sounding pretty impressive.

Anyone have any experience with the Blackstar HT Stage 60 2x12 combo?

Know anything about Gold Lion tubes?

The amp is stock. The treble is bothering me though. It is a Marshall so I don't know what I expect but... I have been toying with the idea of modding or selling it for something a bit more versatile. I have been using the 800 for some time now and I am beginning to crave more diverse tones...

Was curious if there a preamp tube the could help tame the high end of my JCM 800 2203? Just retubed it with Tung Sol EL 34's and 12 AX7's. Pretty bright though. Running through 1960 BV's (Vintage 30's), 76 LP Custom with MCP 2nd Degree BB b, 59 n....

I have a MCP Afwayu in my LP and it sounds kind of dark.... anybody know how it might sound in an Ibanez semi hollow?.... I think it's all maple. Rosewood fret board. Thanks

Hey guys, I am wondering if anyone out there could tell me the differences between the Afwayu(which I have right now) and the Solution(which I am debating getting). I appreciate your help. It will be in the bridge of a Les Paul through a JCM800. Music is melodic rock... foo fighters ...

Hey Beyond Black, I know this is way late.... but I have had both the Detroiter and a 2nd Degree Black Belt in the bridge of my Les Paul. The Black Belt is a low output (8.75k'ish I thinkPAF type pickup a good amount of bass and treble, and a hair less mids but enough to give it some punch...

Very excited.... just place an order for a 2nd Degree Black Belt for the bridge of one of my guitars. I have the Detroiter in my Les Paul and I just took the Pearly Gates taken out of the bridge of my Ibanez semi hollow. Gonna try the BB in the Paul first and then decide if I want to keep it in...

So... if I were to go with the BE mod.... and possibly the C45 switch, how much would I be looking at? and... would you would say that with the gain of the BE, the C45 would be a more versatile option than the SAT? Thank you once again.

Just thought I would mention that I have had a Motor City Detroiter in the bridge of my '76 Les Paul Custom for 3 weeks now and the honeymoon is nowhere near over. I can't stop playing my guitar. This is hands down THE BEST bridge pickup I have had. I have tried Duncans, Dimarzios, EMGS, BK's...

Okay, I am dangerously close to having the money for a mod. Dave... or anyone out there, I was wondering if you could help me with my decision. I have a stock JCM800 reissue. On a scale of 1 to 10... could you place the stock versions amount of gain, then the BE, and HBE. I think that will...

And the C45 MOD? I forgot to put that in the original post?

What, exactly, does the C45 mod do to the tone of an amp? I use a JCM800 reissue and was considering the BE mod, but notice that the C45 mod is pretty popular. Also curious what the BE mod do to the tone and gain of the 800... Thanks guys